Małgorzata Braunek

Ekipa is a Polish political drama TV series created and directed by Agnieszka Holland, aired from 13 September 2007 until 6 December 2007 on Polsat. Ekipa is the second Polish political fiction series after the 1980s miniseries The Career of Nicodemus Dyzma.

The story of Stanisław Wokulski, a wealthy merchant who falls in love with a haughty aristocrat, Izabela Łęcka. Causing a misalliance in the late nineteenth century Warsaw. Young Wokulski is forced to work as a waiter, while dreaming of a life in science. After taking part in the failed uprising, he is sentenced to exile in Siberia. Upon return to Warsaw, he becomes a salesman. Marrying the late shop owner's widow, he becomes rich, He uses his money set up a partnership with a Russian merchant, met in the exile. The two makes a fortune supplying the Russian army. Wokulski falls in love with Izabela, daughter of the bankrupt aristocrat. In his quest to win her, he ventures theatres and aristocratic salons. To help her financially distressed father, he founds a company with the aristocrats as shareholders. Wokulski ability to make money is respected, but his lack of social rank is often brought. Izabela eventually accepts his affection, but without true devotion or love.

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During the Swedish invasion of Poland, the brave warrior Andrzej Kmicic, considered a traitor to the nation, fights for a country, redemption and love across the 17th-century Polish territories.

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Andrzej Wajda's English-language film of a novella by Józef Teodor Konrad Korzeniowski, aka Joseph Conrad, about a young man in his first command as a sea captain. A series of crises prove incredibly difficult for his new authority, for the sea is curiously becalmed and the crew is weakened by feverish malaria. When the first mate's fear convinces many that the ship is haunted and cursed by the malevolent spirit of the previous captain, the young man must cope with their superstition as well as the conspicuous absence of much-needed medicine.

Young Polish nobleman Jakub is saved from imprisonment by a stranger. In return, the stranger wants to obtain a list of Jakub’s fellow conspirators. As he follows his mysterious savior across the country, Jakub is affected by the overall chaos and moral corruption; he goes insane and becomes a mass murderer.

Set during the Nazi occupation of Poland, the story follows Michał, who witnesses the murder of his mother, wife and child and then is hurled into a life that literally is not his own; a surreal world littered with trapdoors, doppelgängers and wormholes.

Despite the anti-Semitic campaign launched by the Polish People's Government in the late 1960s, director Jerzy Hoffman finishes working on the film Pan Wołodyjowski. It becomes the ticket to the production of Potop, the most expensive film in the history of Polish cinematography. During his work, the director not only has to deal with mounting production problems, the distrust of the People's Government, but also with the expectations of millions of Poles.

The story of male friendship, vitality and the joy of living, even after turning 60 years old. When one of the three friends is taken to hospital, the others are there for him.

Włodek is a middle-aged man stuck in a dead-end job at the local library who lives with his harridan wife and critical in-laws in a small apartment. When Włodek draws the interest of a library patron, the beautiful young woman encourages him to strive for better things in his life and professional career. Together, the two take off for a three-day affair, but surprises could await Włodek upon his return home.

A documentary project about what the filmmakers claim to be the greatest, unfulfilled dream of Polish cinema, the 1970s science fiction epic "On the Silver Globe".

40-year-old engineer Marek Kołodziejski comes to his hometown after fifteen years. He wants to take revenge on his friends who kicked him out of the band for appropriating the authorship of the project.

Friends of different generations, practicing different professions, spend together their summer holidays at the seaside every year. It is sunny; they look carefree and happy. They know each other very well, they are used to each other. To such an extent, that bore becomes inevitable. It is boredom that incites them to play a dangerous game. The end is dramatic: a young boy gets killed. It is the moment to draw the bottom line. The question is: Isn't the death of the spirit worse than of the body?

A pastor and ethnographer visits a remote corner of 19th-century Lithuania where folk customs associated with the area's pagan past still have a hold on the population.

Professionally active, childless, married woman loses her father during a business trip. With an overwhelming sense of transience and the fear of death, she doubts her attachment to her husband. It turns out that in marriage, too, he only plays his part, with greater or lesser conviction.

Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.