Yoko Ishino

Detective Ukyo Sugishita confronts crime on the basis of his own convictions. He has a partner that works for him in the Special Task Unit. For the first 7 seasons, Ukyo’s first partner is Kaoru Kameyama. He is a good-natured, hot-tempered, straightforward and somewhat scattered detective. Beginning in Season 8, Takeru Kanbe replaces Kameyama. Contrary to his predecessor, Takeru is a lanky, cool, conceited and confident detective. From Season 11 to Season 13, Ukyo’s partner is a young detective Toru Kai. Toru is a son of Deputy Director-General of The National Police Agency. But he became a detective by his own effort. And starting with Season 14, Ukyo’s current partner is Wataru Kaburagi, an elite bureaucrat who came to the Metropolitan Police Department on temporary assignment. As the first partner without any career of a police officer, he will face challenging cases together with Ukyo.

The Makai fight a secret war against the demon forces known as Horrors, evil creatures that manifest themselves through darkness to devour Humanity. On the frontlines are the Makai Knights, given the task of watching over a district and eliminating any Horrors that manifest there. GARO follows the tales of the Knights bearing the title of ‘Golden Knight Garo’, and their duty to vanquish the Horrors and protect Humanity from the darkness.

Centered around typical Japanese food, a solitary salesman travelling through the country for business purposes, eats at its various establishments and experiences the various delicacies of Japanese cuisine.

Set in the 18th century, the show follows the Shogun Yoshimune, who likes to disguise himself as a low-ranking samurai and go into his capital of Edo to see the life of the common man, as well as to seek out and punish evildoers who would hurt his citizens. He is aided by Magistrate Oo'oka and a vivacious fireman, Tatsugoro, as well as a rotating cast of other recurring characters. Along with Zenigata Heiji and Mito Kōmon, it ranks among the longest-running series in the jidaigeki genre. Like so many other jidaigeki, it falls in the category of kanzen-chōaku, loosely, "rewarding good and punishing evil."

Mikoto, a forensic investigative examiner, and her partners trace down the evidence of crimes and unravel the puzzles behind mysterious deaths.

The 43th NHK Asadora about a female volleyball player who helps out the local community. Starring Azusa Watanabe.

Mitsuhiko Amano is full of regrets. A 46 year old salaryman who had just been laid off, he was told that his wife wanted a divorce, something that he might have been wanting for years. So he visits a soapland, a place he hasn't been since he started dating his wife 22 years ago. While there, a fire suddenly erupts, trapping Amano and a soapland girl in the bath. In a rare moment of bravery and decisiveness, Amano attempts to lead the girl to safety, only to slip and hit his head. As his consciousness fades, he sees the back of the soapland girl making her escape... A fresh set of regret blankets him as he passes out, he returns to his 16-year-old body while remaining 46 years old. The time is 1986.

The 95th NHK Asadora is about Sumire, a girl born in the uptown of Kobe in the early Showa period. In the wake of wartime devastation, she works hard toward making children's clothes for a living, and later establishes a first-ever children's goods store in Japan. -- NHK

A paralegal who graduated from a big-name school teams up with an offbeat lawyer, taking on oddball little cases out of a small, neighborhood law office.

In the end of Meiji era, Takei Chiyo was born in a poor family in Osaka, and was sent to a theatre tea room as a servant when she was 9 years old. There, she was attracted by the world of theatre comedy. She grows up to be an actor and marries to Amami Ippei , but the war broke out and she was forced to stay away from acting for a while. However, when she comes back again, her acting in a radio drama impresses many people and makes herself one of the leading actors in western Japan.

A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.

The story is set in a suburban city facing further modernization and depopulation, and depicts the "burden" shouldered by modern society and its constituents. It is the story of a woman who moves forward, step by step, in her own life as she faces the struggle of hope and confrontation in such a transition.

Nishinari, Osaka— Katsuhiro Tokuyama (Ryu Gan), who had been living as a civilian, gives in to repeated pleas from his former comrades and revives the delinquent gang Tokuyama-kai. The Tokuyama-kai begins seizing territory one after another from local yakuza groups. However, a clash with Nishinari’s largest prostitution syndicate, Shiraku-kai, becomes inevitable. Shiraku-kai retaliates by murdering one of Tokuyama-kai’s members, Shinjiro Nakanishi (Kyosuke Yabe), and kidnapping Katsuhiro’s only son, Nishiki. Swearing vengeance for Shinjiro and the rescue of Nishiki, six men arm themselves with Japanese swords and head for the Shiraku-kai headquarters. Waiting for them are 100 elite swordsmen, the Shiraku-kai’s fearsome “Batto-tai.” Six against one hundred. The curtain rises on a brutal, fearless battle where death holds no meaning.

Shiratama Sayako has never experienced much good luck. Since she was a child, she dreamed of becoming an architect. She studied hard, but she repeatedly failed her university entrance exams. Now, she is 30 years old and works in a field far away from her ideal job. One day, she happens to meet mysterious university student Ogasawara Taku. She tells him about her past dream of becoming an architect. Ogasawara Taku tells her that it is never too late and that she can still get accepted into a university. Inspired by their talk, Shiratama Sayako decides to study once again for her university entrance exams. After she studies so hard, she finally gets accepted into a university. There, Shiratama Sayako meets Ogasawara Taku again, who is a senior in the architecture department.

Yumi, a writer of a science magazine, witnesses a mysterious death of a high school girl who received a "one missed call" from her own cell phone, two weeks in the future. The disturbing message on the cell phone turns out to be the screams of the victim.

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Satoko lives happily with her husband, baby daughter Haruko and parents-in-law. One day, Satoko loses her husband and daughter in a tragic accident. Soon after, she meets a crying a baby girl and calls her Haruko. 10 years later, Satoko lives with Haruko and her childhood friend Yoriko. Satoko has raised Haruko like her real daughter, but she discovers something shocking about her dead husband...

Two babies girls are born, one from a rich doctor's family, the other in the family of a fisherman. An accident occurs during the absence of the doctor, and his daughter is burnt and injured. Ignoring the advice of his wife to apologize for the wound, the fisherman decides to exchange the babies. So they raise Shinobu, the daughter of the doctor, while Chizuko, their real daughter, is raised in the doctor's family. Eighteen years later, their paths cross, their fate continues to be deeply intertwined.

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No description available.