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Fridrik Thor Fridriksson

Fridrik Thor Fridriksson

Directing

Biography

Fridrik Thor Fridriksson (Icelandic: Friðrik Þór Friðriksson, pronounced [ˈfrɪðrɪk ˈθouːr ˈfrɪðrɪxsɔn]; born 12 May 1954; Reykjavík) is an Icelandic film director and producer. Fridriksson started his film making career with experimental films and documentaries in the early 1980s. In 1987, he founded The Icelandic Film Corporation that became Iceland's most important film production company. The company produces his films and works with other Icelandic directors as well as producers. His international reputation led the company to build a network of internationally well-established co-production partner companies, including Lars von Trier's Zentropa and Francis Ford Coppola's American Zoetrope.

Known For

Season of the Witch
8.0

A woman falls overboard during a rafting trip in Skagafjörður, hits her head on a rock and later dies without having gained consciousness. Her mother contacts Einar and tells him she was murdered. Einar finds this hard to believe but starts investigating anyway, more as as sop to the old lady, whom he likes, than on suspicion of finding anything suspicious. Shortly afterwards a charismatic young man disappears and Einar gets orders to write up a story about the investigation, while also covering a problem with politics and hooliganism in a village a few hour’s drive from Akureyri. His investigation leads to interesting facts about the young man, who was not all he seemed to be, and also about the dead woman’s husband. At the same time Einar finds himself embroiled in two separate family dramas with quite different outcomes.

Season of the Witch

2011Series
Mamma Gógó
5.6

Mamma Gógó is about Gógó, an elderly lady, who is diagnosed with Alzheimer disease and her son’s and family’s reaction to her illness. While Gógó is continuously getting herself into trouble, of the kind only a person with Alzheimer can, the son, the director, is struggling with financial troubles after his film Children of Nature has flopped in the cinema. As Gógó‘s disease progresses her family decides that it is best for her to move to a nursing home. Gógó and her deceased husband, who appears on the scene, are not happy with that decision. The director is dependent on others when it comes to his finances and when Gógó settles into the nursing home he decides to sell his mother’s apartment and valuable artwork but the profits of the sale help him to get by.

Mamma Gógó

2010Movie