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This 1936 film tells the story of the doings of foreign agents in Germany and their allies among the German population. Having placed an ad in a local paper looking for "contact with bigwigs in German industry", enemy agents Morris and Geyer end up making contact with an engineer named Brockau. Brockau has developed an improvement in turning oil into gasoline and that's just what these enemy agents are looking for. Brockau, for his part, needs money, because his girlfriend is a selfish cow who demands more and more toys and trinkets, which has put our naive little nerd deep into debt. Brockau, however, is not the only unwitting maroon to fall into the clutches of the evil agents: the former bank agent Hans Klemm, now doing his service in the Wehrmacht, ends up being contacted by an agent from the other side and ends up getting blackmailed into working for them.
Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.
Documentary film about Czech actress Lida Baarova, who fell in love with Joseph Goebbels in the 30s.
The film depicts the love affair between William I and Elisa Radziwill.
The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!
Carlo Savelli, gone missing after the war, returns to Italia after many years. His wife Anna, believing him dead, has established a romance with Andrea, and in order to keep him happy, she follows him to Venice.
The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)
Giovanni Ferretti leaves his wife and son and sets off in search of fortune abroad. His brother manages to turn around the company's fortunes and secure a future for his nephew Riccardo, who falls in love with Elisabetta, a divorced Hungarian woman who threatens to jeopardize the family unit, but an unexpected encounter with his father, who has returned in miserable condition, convinces him to give up eloping with the woman.
An Austrian officer traveling to London to meet his newly married sister at a fancy costume party cannot find her but finds another woman instead.
A gambling-drama based on Dostoevsky’s works: The retired General Kirileff is addicted to gambling and also has a costly affair. He takes out a loan from the greedy imposter Vincent, for which he is to pay an exorbitant interest rate. Vincent, for his part, wants to get closer to Kirileff’s daughter Nina, who is to inherit her grandmother’s fortune one day. Nina tries to help her father and goes to the gambling tables, only to lose a lot of money. She asks Alexej, her father’s secretary, to play for her. Alexej is in love with Nina and would do anything for her. He plays; at first loses; then asks Nina to get Vincent out of there. Once that happens, he wins a large amount of money, becomes overbearing and treats Nina like a prostitute.
An unscrupulous theatrical agent introduces his latest "discovery" to an elderly baron who becomes infatuated with her.
