Javier Drolas

‘The End’ chronicles the passing of time in friendships and romances. The story is told through the memories of five friends who have partaken of the pleasures of youth in Rio de Janeiro, from the glamorous 1960s to the colorful 1980s. The five get together at the funeral of the most beloved of them, in the early 1990s. Adapted from the best-selling novel by award-winning actress and writer Fernanda Torres. The author herself has adapted the novel for television, diving into profound issues, such as aging and death. Always with Torres’ own celebrated brand of elegant, witty humor. The cast features a number of award-winning, household Brazilian actors.

The series proposes a new look at the human bonds of the new century. Each of the chapters develops a unique story. They are focused on the conflicts that their characters face in the face of the resistance of a society that often does not fully accept new realities, a product of the transformations that are currently being experienced.

In each episode, which takes place independently of each other, commissioners Jiménez (Luis Luque) and Laurenzi (Darío Grandinetti) must solve different police cases that will be presented to them and will be a challenge for them, for which they will receive the help of the editor literary Daniel Hernández (Nicolás Cabré) who is looking to write a book about crimes.

Martin is a neurotic web designer taking baby steps out of the isolation of his one-room apartment and his virtual reality. Mariana is an artist fresh out of a long relationship. They are perfect for each other, live on the same street, in opposite buildings, but they never meet. Can the movement of a modern city of three million people bring them together?

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In a middle-class school the story of the relationship between two young students, Ana and Alex, develops. A passion relationship, addiction and friendship that escapes the standards and at the same time is the translation of how young people today relate, among them, with other generations, with the institutions and social rules.

Jorge Peker (Santiago Gobernori) is a frustrated lawyer who does not practice his profession and who is employed in a call center. One afternoon Jorge learned that his father had died. A few days later, at the wake of his father, his girlfriend Luciana (Charo López) leaves him and learns that his father left him as a legacy a house. The conflict appears when you realize that you can not keep this huge house alone, which forces you to rent a room and the only candidate that comes is Ludovico (Javier Drolas), a live, active and enterprising boy, his complete opposite. Ludo is paralyzed and walks in a wheelchair. This makes Jorge fight against his prejudices and learn to live, not with someone different, but simply, with living with someone, accepting others and considering them. And so he sets out on the royal road to be able to form the family he always wanted.

An actor's world comes crashing down after he learns that his wife has left him.

This series narrates the events that a series of characters experience around different spaces that have been emblematic at a certain moment in history and that are currently forgotten. It combines documentary with fiction to show the neglect produced by abandonment and how it affects the lives of the characters. Each episode deals with a different place.

When 16-year-old Manu realises that he has fallen in love with his bandmate Felipe, turbulent emotions start brewing beneath the surface. How do you avoid losing a friendship once its very foundation has shifted?

On the first birthday without her recently deceased mother, Paula starts to remember her. While trying to deal with her own grief, Paula must find a way to connect with her father, Ricardo, who seems to be drifting away from her each passing day.

The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.

The life and death of the tropical singer Gilda.

David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.

The film brings Clarice Lispector’s novel Uma Aprendizagem ou O Livro dos Prazeres to the current days. In the plot, Lóri is a lonely and melancholic woman. She divides her time between her duties as a school teacher and her relationships, which are always fast and shallow. By chance, she meets Ulisses, an acknowledged Philosophy professor, who is self centered and provocative. Although he knows nothing about women, Lóri learns with him how to love and to face her own loneliness.

A former Olympic athlete must return to the city where she grew up to fix family problems and face her past.

Mariana and Martin have similar lives: the same loneliness, the same neurosis, even the same apartment, but they can’t meet. Their only link is also what separates them: the sidewall.

LKA-Zielfahnderin Hanna Landauer and her new colleague Röwer travel to Montevideo to find the couple Tezlaff. They once kidnapped an industrialist and extorted a 10 million ransom. The money has since disappeared, alongside a third unknown hostage taker.

In 1996, during one of the biggest tropical storms ever to hit Rio de Janeiro, Ana and her firefighter team must evacuate a nursing home at risk of collapsing — but they soon discover the place’s mysterious residents have other plans with the arrival of the rain.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.