Tamae Ando

Takeshi Hongo is a promising young man with a passion for motorcycle racing. However, his dreams are suddenly ruined when he gets kidnapped by Shocker, the evil secret organization planning to dominate the world. After being remodeled into a cyborg, Takeshi escapes and swears to protect the world from the inhuman monsters.

Satoshi Itomura is an assistant police investigator who belongs to the Metropolitan Police Department’s Scientific Investigation Team. Reenactments, fingerprint and voice data collections, profiling... His team collects scientific evidence and pieces together fragments of information in order to help build evidences. However, Itomura often does not care about the scientific approach and instead pays a great deal of attention to the things that the victims always carried with them or treasured. And he focuses on these things because they usually carry the victim’s dying wishes, understanding that last message not only helps solve the cases but also brings closure to the depressed family of victims.

Shūichirō Kiriyama works at the Limitation Task Force, the place where the cases which have reached the statute of limitations are destroyed. Getting bored of his job, he decides to find a hobby, because it seems important to him to have a hobby. So he decides to puzzle out the unsolved cases on his free time, helped by his coworker Mikazuki, who seems to have a crush on him.

Set in a small restaurant in the corner of a shopping district. The unusual eatery is only open after midnight, and its standard menu consists of just a single choice. However, the customers still come for the amusing chatter and the proprietor's willingness to cook any dish that they request. This drama depicts the lives of the restaurant's patrons, including a yakuza, an unsuccessful actor, a group of office ladies, a newspaper delivery boy, and a stripper.

Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine, he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.

Set in "Byplaywood" a large film studio surrounded by forest, far from the city. The story depicts 100 days of turmoil caused by the gathering of serial dramas and movies from various TV stations at once in this remote studio. It is a drama full of battles for ratings between studios, clashes between young, mid-career, and big names, and a heartwarming story of friendship and bonding. Also, the self-deprecation and parodies are enhanced by the fact that the actors play a role of themselves.

In an otherwise mundane diner open from midnight to 7 a.m., there is no menu – but the chef cooks anything his customers want. Each episode is about different a different customer, as they find simple yet profound connections with one another based on their shared love of a particular dish.

Satoru Matsudo moves to Tokyo in hopes of becoming an actor. He has trouble breaking into the industry, but his luck begins to change when he finds an airplane ticket belonging to a talent agency CEO. Time passes, and Satoru makes a name for himself as an actor. He gets a call from America. Hoping it is a Hollywood offer, he instead hears about his estranged older brother.

26-year-old car mechanic Hibiki Mamiya lives with his high school sweetheart of the same age, Kurumi Ogasawara. Life together feels so natural and filled with the warmth of each other's love. It was a happiness they expected would last a lifetime. Hibiki is secretly preparing his proposal to Kurumi when misfortune strikes. A tunnel collapses, trapping him for four days. Barely making it out alive, he discovers a world completely changed. There is absolutely no one around, communication signals are dead, the transportation network is a wreck, and the only information available is the emergency evacuation order being repeated on the radio. Everywhere Hibiki goes, he sees bloodstains. Just what happened to this town?!

An American actor in Tokyo struggles to find purpose until he lands an unusual gig: working for a Japanese 'rental family' agency, playing stand-in roles for strangers. As he immerses himself in his clients' worlds, he begins to form genuine bonds that blur the lines between performance and reality.

Mano Reiji, a man who experienced a gruesome incident, is a forensic researcher at the Tokyo Metropolitan Police Department's Investigative Science Research Institute. Under the belief that "appraisal will result in the truth" and with his vast knowledge, Mano approaches cases from a view point that differs from others. On the other hand, Sawaguchi Nonna (Araki Yuko) is a rookie forensic researcher that begins working with the no nonsense Mano. They are forced to work together on a murder case.

Onda Kokoro is an oncologist called Dr Onkoro for short by the people around her and teased that she was born for this path. She got married to Takumi, whom she had known since she was a student, and they had a son. Life was going smoothly for her. But three months ago, her husband fell in an accident and remained unconsciousness even though he underwent emergency surgery. Although Kokoro puts on a brave face at work, she still has not been able to accept reality. One day, she meets Kajiyama Kaoru, a competent gastroenterologist who has transferred to work at the hospital. Kaoru understands the need for oncology as a surgeon and gives emotional support with her sunny personality as a colleague. She becomes a dear friend whom Kokoro feels is sudden a ray of light in her personal and professional life…

Suda Tamio is an ordinary salaryman. He experiences various stress throughout his daily life. His only pleasure is to set out on trips to find "Zetsumeshi." Zetsumeshi refers to endangered meals, that may no longer exist in the future. While his wife Kanae and child go attend concerts by their favourite idol groups, he leaves home on Friday after work and returns home Saturday night.

Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.

Yu Takanashi, a former surgeon, joins the Comprehensive Diagnosis Department at Tenikai General Hospital, where he works alongside the brilliant yet eccentric Takao Ameku to solve mysterious medical cases.

She looks super competent at work but has no idea what she's doing. He seems like a mess, but he's great at his job. Together — they make quite a team.

Tamotsu is suspected of murdering his actress wife Shizuka Harada. He flees to Taiwan and commits suicide. Tamotsu’s friend Banji Masuzawa works as a private detective, and has doubts about Tamotsu’s death, but the case is covered up by powerful media mogul Heizo Harada.

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Makoto Kanzaki is a PR man at a university. He is swept up in a series of scandals and is driven into a corner as he tries to make temporary solutions. A satirical comedy about modern society depicting the contradictions of modern society and the sorrows of its people with black humor.

No description available.