Karl Obermayr

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

A police department, lead by an older, experienced detective solve crimes together.

Derrick was a German TV series produced by Telenova Film und Fernsehproduktion in association with ZDF, ORF and SRG between 1974 and 1998 about Detective Chief Inspector Stephan Derrick and his loyal assistant Inspector Harry Klein, who solve murder cases in Munich and surroundings.

SOKO 5113 is a long-running German police procedural television series. It was first aired in 1978 on 2 January. SOKO is an abbreviation of the term "Sonderkommission" in German.

Polizeiinspektion 1 is a German television series.

Aktenzeichen XY … ungelöst is a German television programme broadcast since October 1967 on ZDF that aims to combat and solve crimes. Until 2003 it was produced in co-operation with the Austrian public service broadcaster ORF and Schweizer Fernsehen, a division of the Swiss public broadcaster SRG SSR idée suisse. It was the basis for the BBC show Crimewatch, the Dutch show Opsporing Verzocht and its US equivalent America's Most Wanted.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

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Stahlnetz is a German television series.

Die seltsamen Methoden des Franz Josef Wanninger is a German television series.

Königlich Bayerisches Amtsgericht is a German comedy television series. It was produced by ZDF in the years 1968 to 1972 and contains 52 episodes. It is set in the German Empire shortly before World War I and revolves around the court proceedings of the Königlich Bayrisches Amtsgericht in the fictional Bavarian small town Geisbach. Almost all actors speak with a Bavarian dialect. The series features many famous Bavarian actors like Gustl Bayrhammer, Hans Baur and Max Grieser.

A Munich detective falls into various misadventures as he pursues criminals and tries to evade women across the city.

Alpha Alpha was a 1972 German science fiction fantasy television series which aired on ZDF. It starred Karl Michael Vogler, Lilith Ungerer, Arthur Brauss and Horst Sachtleben. Each episode was only 25 minutes long, the series lasted only one season. Karl Michael Vogler played agent alpha of an unnamed secret organization, investigating mysteries, technical and psychic phenomena and even alien encounters. Alpha Alpha's tenor is comparable to the later X-Files drama television series.

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Familie Meier is a German television series.

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Daniel accidentally witnesses a kidnapping on the street. After his report to the police didn't get the attention he had hoped for, he looks for an explanation himself and gets more and more entangled in doubts about his surroundings and his own actions. Through his commitment, he finds himself increasingly exposed to violence and eventually kills a person. During the interrogation by the public prosecutor, he experiences the purgatory of his awakening.

Ferdinand Weitel, a forklift driver, is desperate: Insurance agent Arno von Mehling, a true sales talent, has had contracts signed in record amounts. Now Weitel is wandering through the corridors of the insurance company trying to save what can still be saved - on Shrove Tuesday of all days. The department for customer service and complaints is in a colorful mood and has no ear for Weitel's worries. Finally, secretary Annerose Waguscheit takes heart and tells him about the evening carnival ball "Traum-Police", where he can safely find Mr. Mehling.

In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?

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