Acting
Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.
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The film centers on a Spanish tapas bar and the love lives of the loosely interconnected people in the neighborhood surrounding the bar. The pairs of lovers include a middle aged woman and a young man; an elderly, drug dealing woman and her terminally ill husband in poor health; the tapas bar owner and his estranged wife; and two Chinese immigrants.
The city council would like to evict a group of squatters in order to use their Big House for a community center.
As the life of Charles of Habsburg is told since his arrival to Spain, it can be seen how the heir to the crowns of Germany, Burgundy, the Netherlands, the Free County, Artois, Nevers and Rethel, of the territories of the Crown of Aragon and its related Italian territories, and of the territories of the Catholic Monarchs in Castile, North Africa and the Americas, matures as a statesman and gets stronger in face of menaces around him and good and bad advice from his counselors.
After being dumped by her lover, Pepa finds her life and the lives of those around her spiraling out of control in a deliciously chaotic series of events.
A libidinous construction worker uses his charm and bravado in an attempt to attain enough finances to build his dream project.
Pelotas is a Spanish tragicomedy television series created by José Corbacho and Juan Cruz, set in Hospitalet de Llobregat, a suburb of Barcelona. It was broadcast on La 1, the primary channel of Televisión Española, between 23 February 2009 and 7 June 2010. The series is based around the lives of local Unión Fútbol Club supporters.
Almería, Tabernas desert, Spain, 2002. Texas Hollywood is a dilapidated and dusty town where Western movies have not been shot for decades. Julián Torralba and his partners, veteran film stuntmen, survive there, recreating pathetic action scenes for the pleasure of the few foreign tourists who visit the isolated region.
A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.
In medical school of an elite university, campus starts sown with corpses. The police have no clue who is responsible for the carnage. Nobody suspected Barbara, a beautiful young innocent looking whose only concern seems to be the fashion. However, under the facade of frivolity, hides the most lethal and unforgiving of the killer: Barbykiller…
Lorca, a great Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27. He was executed by Nationalist forces at the beginning of the Spanish Civil War. Nickolas Grace gives a fabulous interpretation in the title role and he even bears a remarkable resemblance to Lorca.
A series of vignettes set in Madrid, where its residents manage to sustain entertainment, hope and love in a city still suffering the wounds caused by the Spanish Civil War.
Pelayo is leaving to work for his uncle Lorenzo and to find a nice girl to settle down with. Pelayo arrives to find out that Lorenzo's "business" is in fact a male strip show and Lorenzo's dancers are a laughing stock. Lorenzo has all his money tied up in his wedding with ex-prostitute Palmira. With Pelayo arriving life turns upside down. Can Lorenzo keep his infidelities a secret and his crew off the streets? Can Pelayo keep from falling for a prostitute on his way to finding a wife?
An autobiographical account that is also the history of Spain during the dark years of the first half of the twentieth century. Spanish writer Arturo Barea (1897-1957) narrates his childhood in Madrid, his harsh experiences in Morocco during the Rif War and his political commitment to the Republican side during the Spanish Civil War.
What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)
In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.
Poor gigolo tries to frame his rich mature mistress, but gets tangled in his own wiles.
