Paula Ransenberg

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

When people are unexpectedly locked in, their 'monsters' emerge from the depths of themselves, without control or logic.

Sandro de América is a series of Argentine biographical, musical, dramatic and romantic television broadcasted by Telefe and produced by The Magic Eye, starring Antonio Grimau, Marco Antonio Caponi and Agustín Sullivan, who will perform the famous Argentine singer and composer Sandro en different stages of his life. The series has 13 episodes and debuted on March 5, 2018, broadcasting Monday through Thursday, over three weeks, as a "unique event" television.

Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.

Érica struggles to build a new life with her young daughter, Flor, but everything is threatened when Pedro, her ex-partner and Flor's father, is released from prison after three years. At first, everything seems fine, but the fragility is shattered when Pedro can't control his dark impulses, unleashing a family turmoil.

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An accident brings Ana back to Buenos Aires, to the turbulent reunion with her past and the delayed mourning of her first love.

Jesús López, a young racing driver, dies accidentally leaving his town in astonishment. His cousin Abel, a drifting teenager, gradually feels tempted to take his place in life.

A new neighbor arrives at the building with a strange suitcase. He doesn't receive visitors or talk to anyone, but a light flashes under his door. Only Lila knows his secret: she spies on him from her window and every night they share the ritual. The neighbors are scared: mysterious noises invade the building. You have to call the fumigator.

Since she has memory a young girl accompanies her mother to look at houses, meddle in the gardens, modify them. This time, the mother decides to cross the line and enters a house. She will have to decide what to do.