Michał Tarkowski

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

When a political decision is made as to the location of a new large chemical factory, Stefan Bednarz is put in charge of it. This honest communist party man has to confront the local community opposing the construction.

A well-regarded engineer in a big enterprise is hounded by trumped up attacks on his integrity when he delves too deeply into how bonuses are handled by the management. He gets into an argument with the guard, is arrested and subsequently fired. An old friend, a journalist, tries to sort things out but the victim's stubbornness and past problems with his wife lead to lossess by both.

Romek, an idealistc 19-year-old boy, takes a job as a tailor in the costume department of a Warsaw theater company where his new colleague, Sowa, is pressured to make a costume for an overbearing soloist.

A free interpretation of Rockowiska '81. A recording of concerts and audience behavior, similar in form to a music video.

Three vignettes showing a marriage crisis and a subsequent divorce.

Teenager Bożena decides to run away from home in search of freedom. Agnieszka Holland's film is a study of generational conflict. The paralysis of communication between young people and adults is a metaphor for the throes of social bonds.

The early 1980s. A former entertainment industry star is now selling leather goods. One day, he watches a TV interview with a department store employee who smelled gas leaking and prevented a tragedy in time. This gives him an idea. With the support of his journalist friend Lutek Danielak, he begins to organize a series of meetings with the "hero of the year" across the country. He hopes that this will help him make a comeback in the industry. The meetings gain momentum. Lutek accepts the offer to host the final "Miss Polonia" contest.

Professor Borusiewicz receives a high state decoration, while family and friends await him at home.

A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.

Michal Tarkovsky's twenty-minute etude begins with a long monologue in which we hear overlapping voices recorded from television. The magma of sounds appears against a background of blackness that lasts for more than a minute on the screen. We then observe a series of images ripped from the television set. Out of the chaos emerges information about the Highland Academy, which has resumed its activities. The theme of the session will be measuring the world. The bicentennial of the first balloon flight will also be celebrated, with the Montgolfier brothers as guests of honor.

In 1905 partitioned Poland, a bomb moves through the anarchist underground as revolutionaries prepare to strike against Tsarist rule.

A story about love and hatred, about those who cheat and who are cheated, about violence and sex and surprising secrets which we learn within these strange twenty four hours.

A Russian investigator is demoted after a young PPS militia escapes from Poland and vows revenge.

Set in a small Polish town coming-of-age story of Marcin, a 21-year-old with a penchant for James Dean and The Smiths. After the death of his father, Marcin must contend with the funeral arrangements while hosting his buffoonish out-of-town relatives who disparage his small town life as a mechanic in his father's garage. In addition, Marcin must face the news that his lifelong girlfriend has decided to leave Poland to live in the U.S. If he doesn't act quickly, he may never see her again.

Tomek leads a comfortable life as a TV anchor and family man when he receives a troubling message from the psychiatric hospital in his hometown: his father, whom he has not seen in years, has just been admitted. Against the advice of friends and family, not to mention his own better judgment, Tomek returns home to face the man he hardly knows. After a failed, guilt-ridden attempt to sell his father’s apartment, Tomek decides to make up for lost time. Kidnapping his aging father from the hospital, the two embark on a vacation to the mountains in an effort to restore some semblance of a relationship.

Film chronicles a decade in the life of a young physics student whose absolute faith in the primacy of rationality and science is shaken by tragedy and affairs of the heart.

The protagonist of the story is Rysiek, who, after serving a prison sentence in the Nysa Penitentiary, returns to his hometown with the intention of starting a new life. He wants to run the farm taken over from his deceased parents and win back his ex-girlfriend, Agata, who, in his absence, married his older brother, Jarek. The situation is further complicated by the person of Tadek. As it turns out, Rysiek and Tadek are not only connected by former criminal activity, but also by Agata...

An ironic look at a climber who decides to do anything to get a job he thinks will launch him into a better career.

A portrait of cabinet intrigues, the false aspirations of the party elite and the grinding reality of the 1960s, or "our little stability." Robert Meller and Janusz Dymek's documentary drama concerns the famous 1964 meat scandal, in which three death sentences were demanded and one was adjudicated and executed. The victim was Stanislaw Wawrzecki. Ostensibly, it was about fraud and bribes in the meat industry. In fact, it was about covering up the government's economic ineptitude, shortages of supplies and directing the people's anger at a few defendants.