Directing
The title Amore amore (Love, Love) defines the primary emotive motor of the film and constitutes the filter through which are selected the materials used - people, things, signs - and determines a good portion of the associations though which the sequences unwind.
16mm experimental film documenting Mario Ricci's "Illuminazione".
Through the character of a model, there is an almost science fiction-like reference to a certain fashion trend projected into the future that is quite inhuman.
Motion Vision was originally screened in alternation with slides as part of the rotating installation Rotor Vision, in Rome in 1967 for the seminal group show at L’Attico entitled Fuoco, Immagine, Acqua, Terra with the participation of Mario Bignardi, Mario Ceroli, Piero Gilardi, Jannis Kounellis, Pino Pascali and Michelangelo Pistoletto. In Motion Vision Bignardi constructs a curious repertoire of animal profiles drawn in colour on paper, alternated with pop icons and a sequence of everyday gestures: from the tying of neckties the film passes to walking nude figures in slow motion, alluding to Muybridge and his chronophotography. —Tate Modern
