Acting
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.
A boxing manager discovers that one of the boxers who have been promoted in love with a protected model and his mistress. Mad with jealousy, organized a match between it and another fighter who are friends with each other. Revenge in this case will be bitter.
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A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.
Manu travels to Murcia to spend the summer with their grandparents because their parents are getting divorced. Surrounded by gardens, sea, nature, and lush, warm family, Manu find his first love and the first signs of adulthood.
Miguel is a young Spanish naval engineer in love with an American student of History of Art. When she becomes pregnant, she decides that the easiest solution to her situation is to marry her civilly. However, in Spain in the 1970s, prior to the passage of the Divorce Law, the only way to do so is to apostatize the Catholic Church. For Miguel, a believing devotee, taking this step involves a deep inner conflict.
Roberto, a leader and follower of the ideals of his radical leftist opposition party, can’t resist the cheap beautiful street teenagers that are thrown his way for various pleasures.
A useless kidnapper tries to kdnap a rich industrialist.
A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.
Cayetana, her boyfriend Paco and Venancio, her foster brother, commit small thefts and, from time to time, spend a few days in jail. Until they meet with Federico, a thief who has traveled abroad and convince them that using European methods success is guaranteed. Paco then decides to act scientifically and seizes a hospital surgical equipment. When they want to realize, poor Venancio is forced to give an injection to a dentistry patient and, even worse, Paco has to pull out a tooth. And all that, before entering the operating room
Erika and George are two crooks hired by a rich lady to get rid of her philandering husband.
Antonio Garisa is Juan Fernández Arriaga, a typicall spanish man fifty years ago. He's married and has five girls, but he is unhappy because all he wanted was a boy (in spanish argot, "ir por la parejita" means trying to have a couple of children, girl and boy). He only has women and they have only girls. During the film he prays, he tries to have a boy to give him his surname "Fernández". Garisa is one of the best actors of Spanish Comedy, maybe too understimate because the kind of cinema made in Spain during Franco's government.
A young man, son and grandson of soldiers, refuses to perform military service, causing a commotion in the whole family. Finally, social, environmental and family pressures, will force the young to make a decision that will have unforeseeable consequences.
Valentín and Mauro are a maquis couple who have abandoned the fight against the Franco regime to become robbers in order to survive. Their area of operation is the mountains of Asturias, where they terrorize the local population with their robberies and acts of violence.
Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.
