María Luisa San José

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Manu travels to Murcia to spend the summer with their grandparents because their parents are getting divorced. Surrounded by gardens, sea, nature, and lush, warm family, Manu find his first love and the first signs of adulthood.

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A young man, son and grandson of soldiers, refuses to perform military service, causing a commotion in the whole family. Finally, social, environmental and family pressures, will force the young to make a decision that will have unforeseeable consequences.

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A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.

A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.

Erika and George are two crooks hired by a rich lady to get rid of her philandering husband.

Juan is now in his fifties, has a protruding belly, dyes his hair gray and lives alone with a cat who has urinary problems, but despite this, women still find him attractive.

Carmen leaves her husband Julio to go live with an intellectual who has made a career in the United States. While, Julio goes away to live of rent to house of an aristocrat come to less. After meeting several colorful characters, Julio decides to recover Carmen.

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Roberto, a leader and follower of the ideals of his radical leftist opposition party, can’t resist the cheap beautiful street teenagers that are thrown his way for various pleasures.

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After graduating in Economics, Luis is seeking to burst through in life. His partner Ana sees how his way of being is changing by the standards of his company into a different person. Ana tries to draw his attention in a failed suicide attempt.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

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Cayetana, her boyfriend Paco and Venancio, her foster brother, commit small thefts and, from time to time, spend a few days in jail. Until they meet with Federico, a thief who has traveled abroad and convince them that using European methods success is guaranteed. Paco then decides to act scientifically and seizes a hospital surgical equipment. When they want to realize, poor Venancio is forced to give an injection to a dentistry patient and, even worse, Paco has to pull out a tooth. And all that, before entering the operating room

A rich emigrant returns to Madrid where he meets the beautiful Amparo . The girl, however, lives a secret affair with a priest

Avila, early twentieth century. Pedro, a boy of nine years, accompanied by his tutor, comes to live in the house of Don Mateo, a teacher that from that moment will be responsible for his education. Pedro begins an almost familiar relationship with Doña Gregoria and Martina, wife and daughter of his master. The appearance of Alfredo, and roommate and colleague of studies, complete the circle of his emotional environment. Provincial life, relationships with peers and the special relationship between life and death instilled by Don Mateo, definitely will influence his future life.