Elena Pedrazzoli

What happens to the food we digest after it leaves our body? Is it waste that is thrown away or a resource that can be reused? In search of answers, director Rubén Abruña embarks on an investigative and entertaining search through 16 cities on four continents. He follows the trail of feces from the long sewers of Paris to a huge sewage treatment plant in Chicago.

After eighteen years of marriage, Alice finds herself confronted with the fact that her husband Frank feels more and more attracted to men. Not only Frank, but also she and their three children undergo an irreversible change.

Threatened by creditors, a newly unemployed man agrees to work for a debt collector, but soon discovers his deal with the devil has unexpected costs.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Turin 1993. The architect Agnese is called to the home for war veterans where her ailing father lives. The doctor at the home has left his guest, a Bosnian refugee, on night duty with her father. The commanding officer of the veterans home, a colonel, has discovered the undocumented refugee, Reuf, and has had him arrested. Agnese, who would rather not get involved with refugees, becomes better acquainted with Reuf and is drawn into events which eventually take her to Bosnia. On this journey, she begins to recall her childhood directly after WWII. Experiences made during the two wars converge and the wheel of history turns, without failing to leave its mark.

A farmaceutical salesman is involved in the spiral of corruption in the medical assistance of the welfare state system.

Irma and Henry live the dream of eternal love, which might end badly. A whimsical tale about old age.

The story of an adult and a teenage couple during a brief summer holiday by the sea. While Nic's parents remain trapped in a precarious mutual dependency despite repeated attempts at reconciliation, their 12-year-old son tries to come to terms with his father's traumatizing violent outbursts in games with other children. He tries to teach Marie, who is of his age and suffers from her own relationship with her father, to feel nothing. In fact, both of them are transformed by their experience of the joys and pains of first love.

Ivan and Chiara meet on a Sicilian island to prepare the wedding for Ivan’s brother and Chiara’s best friend. Despite the fact that Ivan is determined not to repeat the failure of his last relationship and Chiara does not want to jeopardise her marriage, the two fall in love with each other. They resolve to live their relationship for only a few days and then break it off when the wedding guests arrive on the island. But can love be controlled? Or is it love that controls us?

Aurelio Saravia is a powerful politician who holds office in Uruguay in the mid-1960's. When Aurelio's mistress kills herself, he adopts their illegitimate daughter Masangeles despite the stern objections of his wife Aurora. Masangeles finds herself growing up in a home ruled by a corrupt and self-centered tyrant and his manic colleagues while Uruguay teeters on the brink of civil war as bands of revolutionaries battle government militias. When she turns fourteen, Masangeles discovers a secret passageway in their home that leads to sanctuary in a nearby church which also serves as a storehouse for guns and ill-gotten cash. Teenage Masangeles falls in love with Santiago, her stepbrother who has joined the rebels fighting against the state, and she persuades him to take her virginity.

Pino Gambassi is a child suffering from haemophilia and is animated by an unbridled desire for freedom and boundless courage: he decides to start his adventure in the world and to show everyone that he can live his life like a normal kid.

Rolando Colla made his directorial debut with this Swiss-French-Italian period drama about a Breton woman who disguises herself as a man to join a ship's crew during the 18th century. Rebellious 24-year-old Anne Bruneau is abandoned at the altar by her fiancé Yann. Unaware that Yann was drunk and fell down a well, Anne reacts to his absence by cutting her hair, dressing like a man, and signing on with a ship captained by a dwarf. When Yann learns what happened, he begins running south to Marseilles to rejoin her. Aboard the ship, Anne's disguise is discovered by the captain and the ship's doctor. With an Arab, she jumps ship, hiding with hookers in Marseilles while still maintaining her disguise.

Frank burns himself to death at his job in protest against the inhumane working conditions. Two stories emerge from this tragic incident. Léa, Frank’s wife, who is searching for the truth. Igor, an employee who finds the dead body and steals the letter of protest for fear of losing his job.

Fourty-two year old Charlotte lives in seclusion with her father in Trentino. She is mentally impaired and lives in a world of her own. When her father is hospitalised for a heart attack, Charlotte's ten year younger brother, Leo, returns to the village after a decade's absence. He learns that his sister wants to leave and asks her to come to Switzerland with him.

Philip, Lynn, Hussein and Shammy, young LGBT Ugandans, are fighting for survival. Staying in their country, where religious oppressions and discriminations prevail, endangers their lives. Then, their latest hope is to leave it all behind and experience a long and painful exile.

Between songs and games of military acrobatics, four boys who do military service establish relationships with as many young women.

A documentary about a biography that covers an entire century: the delusion of Bruno Wilkomirski, who wrote a celebrated book about his childhood as a concentration camp victim and was later revealed. How this deception came about, how the person concerned reflects on it from the distance of almost 20 years and what it says about our country and our time.

Hassan Kiko, a Syrian sex offender with multiple convictions, managed to escape from the Limmattal prison a good four years ago. He was freed by the warden Angela Magdici. The lovers lived on the run for five weeks - for them "the most beautiful time in their lives". Then the Italian police discovered and arrested them in their hideout in northern Italy. The escape of the duo moved Switzerland: never before had a warden escaped with an inmate. The incident not only caused a great stir throughout the country, but also prompted measures at the Zurich Office of Justice. The "DOK" film provides an exclusive look behind the scenes and shows what those affected say about their story - first and foremost Angela Kiko and her husband. However, their defence lawyers, the head of the Limmattal prison from which the couple had escaped at the time, as well as the director of the correctional facility where Hassan Kiko is serving his sentence, also describe their view of this extraordinary case.

A freshly married, harmonious couple - Patricia is Swiss, Ikendu is from Mali - is forced, as a result of the Ikendu's unexpected arrest, to deal with each other's dark sides, which is painful, but ultimately makes the relationship more mature.

The film takes place in three nations: in Switzerland, Cuba and Bosnia. In each of these three countries we accompany persons who dream of a better life elsewhere.