Andreas Christoph Schmidt

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Annual awarding of the Grimme Awards.

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After a ten year long stay in West Germany, Max returns to the Soviet Union to visit his deadly ill father in Leningrad. There he finds a friend in a man who calls himself Igor and he begins a love-affair with the deafmute Lena. Around Max' relationship to his father, Igor and Lena, losely held episodes give a many fasetted portrait of Leningrad and its inhabitants. In the eyes of the returning Max, the city is at once well-known and foreign. Lyrically saturated images and sophisticated editing contributes to making the film an expressive description of a changing city.

Featuring excerpts from diaries and letters written by local residents and soldiers from both sides, the documentary tells the story of the Battle of Stalingrad through the voices of those who lived it.

It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.

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The film talks about the rise and fall of the two most influential protagonists in GDR-politics. In succession, over long stretches even together, Ulbricht and Honecker determined the course of the GDR, of course without ever getting out of being a satellite state to the big brother in Moscow. The film looks for the caesura and crucial points in the power game between Ulbricht and Honecker.

The peace treaty of Brest-Litovsk was a dictated peace. With him, however, the German Empire recognized Soviet Russia. And so German-Soviet relations took their course. The film tells the story of the eventful history of both countries and the people in them. It is a story with repercussions right up to the present day, as their images continue to have an impact. Their myths, enemy images and projections continue to shape mutual perceptions. A history of ideologies - their fight against each other was to the death, the extermination of the other - here racial, there political-ideological - was meant existentially. It was about annihilation. Then again, at other times, it was about coexistence: in friendly enmity - hostile friendship.

"Weimar" was the first democracy on German soil. It was a new beginning full of emotion and hope - in difficult times. Weimar is often viewed from the end, from its downfall under National Socialism. Yet it was a great new beginning. The Germans dared to embrace democracy. A documentary as a lively discussion about Weimar. What can Weimar teach us today?

"Puss Riot and other sins" - The Putin system is taking on more and more features of the Soviet system. The big fear and paranoia returns.