Directing
The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.
The Strangest Dream tells the story of Joseph Rotblat, the history of nuclear weapons, and the efforts of the Pugwash Conferences on Science and World Affairs - an international movement Rotblat co-founded - to halt nuclear proliferation.
In Neon, Bednarski recounts the history of Warsaw's neon signs from the pre-War period to modern times. He creates an overview of the neon signs which illuminated streets of Warsaw before the Second World War, depicts the use and role of neon signs in the times of social realism in the context of history and politics, and describes what has happened to them since 1989.
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MDM explores the relationship between architecture and ideology by focusing on one Warsaw neighbourhood. The Marszalkowska Housing District was one of the first and most famous of Poland's 1950s Socialist-Realist housing developments. Conceived on a monumental scale as a model of socialist planning and an architectural showpiece for the new Soviet-backed Communist regime, it rose up from the ruins of a city almost completely destroyed in World War II.
The film delves into the profound connection between the artist Leonard Cohen and Warsaw, showcasing his lesser-known journey to fame in Poland. It unveils unreleased archival footage from American television, showcasing how Leonard Cohen's music played a pivotal role in Poland during the 70s and 80s, intertwined with the opposition movement against an authoritarian regime.
