Kenji Murakami

The Great Horror Family is a 2004 Japanese horror comedy television series directed by Kenji Murakami, Takashi Shimizu, Keisuke Toyoshima and Yūdai Yamaguchi, which aired on TV Tokyo affiliated stations.

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Aimi and her father move into an old, apartment building and learn quickly that things are not normal here. The landlord warns Aimi and her father of the curfew. First, all residents must cross the rope in front of the property by midnight. Second, no one can move out until a new tenant arrives. Those brave enough to break the rules are unmercifully killed by a mysterious force.

The second volume of the popular ghost story TV series “Ghost Story Shin Mimibukuro,” based on the real-life ghost story book “Shin Mimibukuro,” includes the final series. It features notable actresses such as Mari Hoshino of “Sayonara Midori Chan” fame. It includes all 10 episodes.

A new season of the acclaimed series finishes with these twenty sensational shorts capturing the essence of psychological terror with chilling visuals.

The cow woman is believed to be the sign of a huge catastrophe that is about to occur. It is said that she dies when the catastrophe is over. In some regions, the cow woman is worshiped as a prophet who warns of future misfortune. Asuka, who has joined a training camp, decides to head off to the site of an unsolved murder together with her four classmates. It is there that they find an isolated house where they manage to be let in by making up an excuse. However, once inside.

Aiko and Hashimoto discovere a VHS videotape called "A Guide to Surviving Zombies From". This is a video with a set of instructions that will help them cope with the invasion of the undead living in Japan.

No description available.

This is the first volume to include the final series of the popular ghost story TV series “Ghost Story Shin Mimibukuro,” based on the true-life ghost story book “Shin Mimibukuro. It contains all 10 episodes.

Nakagawa shot “Coming Future” on the nights of December 24 and 25, 2010 in Shibuya, making it his location for an idealized Bohemia in the heart of Tokyo. Interesting interviews/discussions with Kenji Murakami, Nobuhiro Yamashita, Kenji Onishi, Tetsuaki Matsue and more... By far the most interesting sequence is with Kenji Onishi (“A Burning Star”). Wielding a super-8 camera, Onishi documents his own interview, taking random shots of street-life and buildings. He leavens his monologue with statements bordering between cliché and outré. “A movie that aims to make a message is boring.”

Fifth installment of Deka Matsuri omnibus series. Six films

This is a film about a medium approaching extinction, an 8mm documentary film about a vanishing 8mm cinema. Blending two genres, the science film and the personal film, and benefiting from the participation of multiple generations of cineastes, it is a reflection upon the original cinematic experience.

‎The film heritage of Yukiyasu Shimada.

A man fingering the girl before killing her. Camera cuts to blue sky and cat. A man choking his girl. Onishi at his usual with framing, extreme close-ups, expectations and black inserts.

The movie's title is a play on the popular Always - Sunset on Third Street films and also deals with circumstances 1950's Tokyo, but focuses on the homosexual district of Shinjuku ni-chome.

A man fingering the girl before killing her. Camera cuts to blue sky and cat. A man choking his girl. Onishi at his usual with framing, extreme close-ups, expectations and black inserts.

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

Shooting began with pointing the camera at the sunset seen through the window at home, and continued until all the 8mm film I had was used up. The sound is recorded on a magnetic material coated on the film at the same time as shooting, and the sound on the cassette tape is mixed and played back at the time of screening. Sometimes a projectionist calls on the audience. This is a ritual that transforms the original shape and brings the dismantled "movie" back to the theater. (Kenji Murakami)

Two tales of phenomena: In the ruins of Chiba prefecture, a video of a woman sobbing in the middle of the night and a bizarre video recording left by a mountaineer who went missing three years prior.

The documentary version of "Kaidan Shin Mimibukuro" titled "Kaidan Shin Mimibukuro Nagurikomi!" series. "Gekijō-ban Kantō-hen" takes viewers into the magical mountains of Tanigawa-dake, where the largest number of people have been lost in Japan, and into the sea of trees at Mt.