Production
An Indian arouses envy for his expertise in hunting animals without ruining their skins, for his wisdom and his kindness.
A 1940 film directed by Manuel R. Ojeda,
A political revolutionary fights against injustice, his adoring wife by his side. But only in her death does he realize the depth of her love for him and their country. A dramatic romance from the 23 film library of the most iconic classic Mexican film and recording star, Pedro Infante.
When cowboy Nick McCredie notices in a second-hand book an inscription to "Emily, the prettiest girl in school," he writes to her and learns that she is a lonely Eastern farm girl living with her grandmother. Instead of sending his own picture to her, Nick encloses a photo of his handsome friend Pen Walton.
A drifter lands a job as an officer in México City's elite motorcycle police unit and gets home with a mate of this unit. The mate is in love with a girl, but he and she are always making jealous to each other. The drifter and the mate get involved themselves in a fight to become the winner of conquering ladies and performing unit acrobatic tricks, interfering with their friendship and profession.
Mexican feature film
Alain de Montcalm, son of a French trading post owner, pursues the villainous Caesar Le Noir across the icy northern wilderness. Le Noir kills Alain's father while abducting Alain’s sister, forcing Alain to track him to a deserted fort, leading to a tragic showdown.
No description available.
The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.
Starring Mexican star Pedro Infante, "Black Angels" is about a couple formed by a beautiful woman and a singer, both white, who are parents of a black girl. The woman blames him, but the girl will suffer the racist treatment from her own mother. Mexican version of the famous novel by Fannie Hurst "Imitation of Life"
Pepe el Toro is married to Celia la Chorreada and they have two children.
In the African desert, a white man, embittered at an injustice, turns his back on his kind and becomes the leader of a band of outlaws. But a chance encounter with a lovely young woman restores his faith in his race.
Returning to his home town, seminarist Miguel is forced to trade the robes for a charro costume in order to solve several problems that appear in his way, including the female kind.
A young man goes to the capital to prove himself as an opera singer, after being rejected he must find other means to achieve fame
This musical comedy tells the story of two men whose friendship (whose beginning is told in "A toda máquina") is affected by assumptions love triangles and misunderstandings between the two, however, the value of that friendship overcomes all difficulties.
Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.