Nicolás Britos

In the conservative northwestern region of Argentina, Julieta finds herself accused of infanticide after a medical emergency. With support from her attorney and women's rights advocates, she fights for justice in a landmark case that could change lives.

Throughout the 20th century and beyond, the rooms of an Argentinian house are witness to very different inhabitants and mysteries. Filmmaker Diego Lerman takes the opportunity of a TV series to tell different stories in various artistic styles, collectively portraying the many faces and tribulations of one country.

Tupac, son of a Colla* mother and a japanese father, lived with his family in northern Argentina until one night someone, or something, broke into his house and violently tookhis family away from him. Tupac is saved by hiding under the bed, he was 5 years old at that time. Tupac always believed that the El Familiar (a legendary demon dog that devours people) was responsible for the tragedy, but, over the years, he discovers, with the help of his friend Nusta that it was not a fantastic beast who took his family, but four men who continue to kill and kidnap other people. Thus, Tupac decides to go after them using traditional weapons and martial arts -which he inherited from his father- to become DOGMAN and get revenge. * The Colla are an indigenous people from South American countries, including Argentina, Bolivia, Chile and Peru.

A scientist solves cases following the legacy of her grandfather, Juan Vucetich, the renowned creator of fingerprint identification method. When her job and name are threatened, she embarks on a journey to discover who is behind it all.

Lidia and Wally meet when she buys him his house. They fall in love, but Lidia lives in Madrid, Spain, and Wally in Neuquen, Argentina. Their Skype conversations are interrupted by glitches that happen in Lidia's computer. Wally begins to feel that Lidia is not quite right: she talks about presences in the house, voices talking in other rooms, people that -whenever the conversation is interrupted by glitches- want to hurt her. Soon Rodrigo appears in the story: he's Lidia's obsessed and stalker ex-boyfriend. Is he the mysterious presence, or is there something else lurking in the shadows?

A mirror game between reality and fiction about the creative blocking of a troubled artist. Ricardo Mosner exists, but his character transcends the documentary world. We also see musician Daniel Melingo, the film’s director and co-star, transformed into a ghostly vagabond in the city. The camera captures these specters’ roaming like images of a digital canvas. There is wine, loneliness, parties and sunrises of bourgeois bohemians. The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this century’s events and variations. In the end, the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile.

Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.

Ernesto is unappreciated by those around him, but all of that will change when three, peculiar, new friends appear on the scene. They will do anything to help him get his self-esteem back, even if it leads him to prison... or an early grave.

Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city.

María Fernanda and Roberto have a tortuous relationship: they spend most of their day fighting. Problem is, their fights irradiate a laziness wave that overcomes little by little all of humanity. Both of them will have no other choice but to work out their problematic relationship, before the Laziness Wave destroys the world.

Angel is one of those typical macho’s who does not hold women in high regard. With his fancy talk, his tight suit and his fashionable job as a director of publicity spots, he has ample opportunity to grab as many young aspiring actresses by the pussy as he can. His wife and kid are left to deal with the consequences. This is now drastically coming to an end. One night, when there’s once again not enough blood flowing through his brains and too much through his nether regions, he walks into a trap set up by a circle of Celtic Goddesses. They transform him into a zombie and make him a pawn in their plan to end male dominance one and for all. Luckily Angel’s not alone. He’s part of a brotherhood of undead macho’s. They do not only exchange tips in how to mask their increasingly penetrating body odor, they also come up with a plan to sabotage the Goddesses.

Lidia buys a house in the sierra of Madrid and maintains contact through the Internet with its former owner, Wally, a young man who lives in Argentina. Over time, both fall in love. Everything seems fine between them until their computer connections start to fail seriously. (Film edit of the Limbo web series.)