Matej Bobrik

Hailed the "King of Zanzibar" for his luxury travel destination, Wojtek Żabiński's high society life crashes to a halt when he's accused of fraud.

A group of misfits from a carpet shop have a chance to change their lives with the help of two marketing experts - an ex-kebab shop worker and an ex-fortune teller from a wildlife magazine.

This study, full of black humour, was made by a Łódź Film School student and presents a documentary portrait of a Slovak village – a dying world revived largely by funerals.

Nikesh is 13 years old and came to Poland with his parents, Shiv and Shushila, a few years ago in search of work and a better life. Nikesh is already building his life in Warsaw – here, he has friends and lives like a young European. His dad wants to raise his son as a Nepalese and does everything he can to provide for the family. As a result, Shiv’s life comes down to working several jobs and constant confrontations with his son. Shiv is torn between his wife, who cannot imagine growing old in Poland, and his son, who cannot imagine growing up in Nepal.

A humorous documentary about the uncomfortable growing up of students at the University of Tokyo, who spend most of the day overwhelmed with their studies, struggling with the pronunciation of digraphs or rehearsing a performance of Faust in Polish. What is it like to get to know a country that is geographically and culturally so remote only through textbooks? In the second year, a handful of students finally travel to Poland at their own expense. Their enthusiasm encounters both different customs and good-natured locals trying to explain why they consider kebab their national dish. What the students have been dutifully reading at home for the past year takes on unexpected dimensions at sunset over the Vistula.

Kuba and Jurek are friends. They work together clearing the forest and spend their free time together, too. Both live in the village of Olchówka where life goes by at its own unhurried rhythm - people know each other very well, the atmosphere is bucolic and leisurely. One day Kuba wakes up after a passionate night and finds himself in the middle of a field, accompanied by cows. Then he cannot find his mate. So he decides to look for the girl that they both met that night.

Matej Bobrik turns the camera on himself at a time of change in his life, defined by his relationship to two women: his grandmother, with whom he talks only on the telephone ever since the recent death of his mother, and his new Japanese wife, whom he married in part to help her deal with the Polish authorities. Tellingly, Bobrik records only moments of transition, but not their causes or consequences.