Acting
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“Chalet” is a series of stories that take place entirely in a living room. Written and directed by Malena Pichot.
A former pair of thieves must dust off their old seduction tricks when blackmail threatens to expose their dirty laundry.
Jorge Peker (Santiago Gobernori) is a frustrated lawyer who does not practice his profession and who is employed in a call center. One afternoon Jorge learned that his father had died. A few days later, at the wake of his father, his girlfriend Luciana (Charo López) leaves him and learns that his father left him as a legacy a house. The conflict appears when you realize that you can not keep this huge house alone, which forces you to rent a room and the only candidate that comes is Ludovico (Javier Drolas), a live, active and enterprising boy, his complete opposite. Ludo is paralyzed and walks in a wheelchair. This makes Jorge fight against his prejudices and learn to live, not with someone different, but simply, with living with someone, accepting others and considering them. And so he sets out on the royal road to be able to form the family he always wanted.
Tomi is a streaming celebrity... and also a secret spy. When a mission fails and his double life collapses, he tries to leave espionage behind and focus on his public career, but the President recruits him for one last mission. Tomi must discover who he really is: the star everyone loves or the secret agent capable of saving the country?
In her new comedy special, Malena Pichot stars as Eleonore von Schwarzenberg, an European vampire princess sent to live in a seedy Buenos Aires apartment.
Starring Malena Pichot, Julián Lucero and Charo López: A family that lives in a plant, a mother (played by Dan Breitman) that only speaks in musical, a television that stalks the mental health of the protagonists and a lot of hilarious situations that They promise to make this series a new addiction.
The social experiment, hosted by Susana Giménez, seeks to find the next "10" of comedy and crown the first winner of LOL ARGENTINA. The one who laughs loses, and the one who provokes more laughs from his rivals will be the winner.
Cualca (stylized as CUALCA!) Was a television series of skits Argentina initially issued as part of Duro de Domar by Channel 9 in 2012 program, but reaping success mainly in the official accounts of Vimeo and YouTube. Conceived and starring Malena Pichot, Julian Kartun, Julian Lucero, Julián Doregger and Charo López; the series is a spoof on where they try feminist messages against racism, homophobia and general social prejudices existing in Argentina where there is no set storyline. It has several recurring characters, and others that cater to the chapters, which are divided into episodes and micros. A second season was proposed via Idea.me and was released on November 6, 2014 by the Pichot YouTube channel. A spin-off titled For now was released by Cosmopolitan Television in 2013.
Tangled in a troubled marriage, a frustrated couple finds hope in a watch-based app that rewards good deeds — until unhealthy obsessiveness takes over.
Norma works at an advertising agency where she must produce everything she despises. Her job represents everything she's always hated, but the fear of change is stronger. Her friends live in an eternal present where nothing is stable and everything is for now, and although she envies her friends' freedom, she doesn't dare imitate them.
Alan, Dante and Pedro are three friends who grew up together from an early age. One of them ends a long relationship with his girlfriend and remains disconsolate. His two friends decide to lift his spirits by organizing a party.
A couple, stressed from being confined to their apartment due to the COVID-19 pandemic, decide to spend a weekend in the countryside. The owners of the villa they have rented offer to stay with them and take care of them as if they were in a five-star hotel, but their offer hides other intentions.
How to Be Happy, the new documentary-style essay by Ofelia Fernández. A journey that blends humor with heartbreak, exploring digital life, anxiety, and the search for connection in an age of hyper-connected loneliness.
The days of Male, Charo, Ana and Vanesa are of struggle and resistance. Wherever they are and how they are.
The life of Berta Muller, a successful writer, is shaken when, at the peak of her career, she is exposed in the media for plagiarism. Far from taking responsibility, she will deny the accusations and try to justify himself ridiculously, even if it means exposing all her darkness.
In a city marked by hypocrisy and desire, Ana, an erratic young woman, crosses paths with a nun in a crisis of faith. Between the sacred and the carnal, their limits and beliefs are stretched to the breaking point, until reality is distorted and violence erupts as a desperate act of help.
The Flying Squadron, a variety theater group, sets out to perform a play with an outside director, beginning with an adaptation of Ubu Roi, setting the plot in a building management office in Buenos Aires. As rehearsals progress, the memory of their previous work, The Tragedy of the Rampant Family—a show presented in eight chapters and marked by self-management and absurdity—leads the group to question its identity.
It Can Be Funny brings together the most representative comedians of the Buenos Aires scene to talk about comedy, from the creation of a joke, the search for one's own voice, the staging and the meeting with the audience.
