Claude Laroche

The daily lives of the personnel of the St-Vincent hospital in Montréal.

Broadcast on December 31st, Bye Bye is a comic year-in-review which consists of sketches that parody the political, cultural and social events of the past year.

Viens voir les comédiens is a television show on the Canadian French-language arts and culture television network ARTV.

A dance-off where stars learn, prepare and present dance routines that they must show to a select panel of judges.

Everyone can have a bad day now and then, but we meet Valerie on a morning that divides her life neatly into before and after. It took one inconsequential setback – a silly thing, really – to cause a slight delay in Valerie’s schedule, resulting in a regrettable distraction, causing an unfortunate incident, which leads her to the police station….. making her miss the single most important event she had on her agenda: The Meeting! That’s when the dam breaks. All that control to build the fragile framework of her life collapses instantly. Valerie gets fired, is obliged to restrain her lifestyle, and now with the shared custody of her son in question, Valerie has to review her priorities and reorganize her life.

No description available.

L'Amour avec un Grand A is a French-Canadian television series which aired from 1988 to 1995. The series explores different complex sexual and taboo issues. Some notable subjects include: Rape, Teen Obsession, Age Difference in love, Homosexuality and Married, Schizophrenia, Spousal Abuse. The series lasted 7 years and was very popular in Quebec. It was written by Janette Bertrand.

They’re dirty, vulgar, dishonest, grouchy, uncultured. They’re also a big, happy family. The Bougon are a joyous bunch of scoundrels who live on the margins of society, doing whatever it takes to scam their way through life, thinking up new schemes for avoiding work, and never conforming to the system.

No description available.

No description available.

Born into a modest family, Gerry Boulet found fame with the Québec rock group Offenbach. After a life of drug and alcohol abuse and a great love story, Gerry died of cancer in 1990.

A girl who comes from a long line of circus performers tries to fulfill her dream of going to private school.

Paul Bougon ignites social media networks and public opinion after his brief participation in a television program. Having become an instant celebrity thanks to his outspokenness, he decides to go into politics and founds his own party. With the help of his devoted entourage and at the head of the PEN (Parti de l’Écœurement National) [National Disgust Party], he wins the elections and becomes Premier. The challenges of his new career place him in front of heartbreaking choices.

Ovide Plouffe has married Rita. She still tries to attract other men even after their marriage. Unhappy Ovide feels for Marie - a young French woman he had met. But his catholic background and surrounding can't let him love another woman or divorce from his wife. So Ovide finishes with Marie and plans a trip with Rita hoping for reconciliation. At the last instant he announces to Rita that he can't make the trip. She goes alone. The plane explodes, and Ovide is suspected and arrested for this horrible crime.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

Marcel and Joseph are tireless walkers. Their itinerary is an invitation to discover improbable places and fascinating people. Everlastingly looking for Stanley, Marcel’s only friend, they meet an unlikely crowd of extravagant characters. Each has a story to tell, his hope to share.

The Journey is the story of a father and daughter reunion. From Montreal’s airport, they will travel along a chaotic path, where their inability to find each other will unveil a complicated relationship and have them drift from their initial course.

Benoit, an actor surviving on his barman wages, follows the advice of is his brother Frank - a former hockey player turned talent agent- and grows a beard to get a part in a dinner theatre play. Benoit's girlfriend Vicky, an ex dramaturge who now works as a librarian, finds it difficult to accept this latest development, as it will delay the couple's plan to purchase a condo from their friends Caro and Vincent, who manage a hair and beauty salon. But Benoit's beard seems to have magical powers: he suddenly has a great deal of success, while Vicky develops a mysterious allergy to her boyfriend's facial hair.

Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

Anastasia chooses to lock herself in an apartment and tame through rituals. She barricades herself, to protect herself from external violence and the destructive invasion of family life.