Waldemar Obłoza

Na Wspólnej is a Polish soap opera. It has been running since 2003 on the TVN channel as its flagship primetime weekday soap opera. It is loosely based on the German production Unter Uns and it follows the lives of the inhabitants of an apartment block in Wspólna Street, Warsaw. Episodes tend to last around 20 minutes. It is a Polish version of the Hungarian "Barátok közt". The series is shot almost entirely in Warsaw and produced by the Polish branch of Freemantle Media. On 9 September 2008 it celebrated its 1000th episode; "Na Wspólnej" was the fourth Polish television series ever to achieve such status. A special episode was broadcast in which characters from some other of TVN's most popular shows visited Wspólna Street.

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

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Frieder Schulz has turned from a laid-back type into a provincial in three years, taking care of his cottage, garage and career. As he prepares a wedding with his fiancée Gosia, his buddies from the good old days, strewn with music and artistic frenzy, unexpectedly show up. The old buddies, Jonas, Paul, Knack, Manni, definitely don't fit into the new quiet lifestyle in the Polish countryside and are hoping for a party at least like they used to have. Their visit causes a series of misunderstandings, woven from stereotypes and prejudices.

A couple of friends, Max and Leo spend some time in Sicily, the island that is associated with mafia. Strange events on one wedding of a mafioso's daughter near the city of Trapani, bring them back to Warsaw. Yet, the criminal leaders, particularly Don Antonio Gambini, are also in Poland where they have a job to do. Unintentionally, Max and Leo are brought into a plot.

Series set behind the scenes of a Warsaw theater during the last twenty-five years of the 20th century. The creators’ ambition was to explore the interplay between life and art, and how these realms intertwine in the lives of the characters. Each episode features its own protagonist and its own play, usually set within a broader social, political, and cultural context.

The hero of this perverse comedy is Jerzy, a completely incurable romantic, who finds the love of his life in the voice coming from the navigation system in his car. Jerzy is a gadget-head, and loves all kinds of electronic devices – he gives them names, and then talks to them. This makes him fall in love with Carmen – the voice from his car-navigation system.

The film depicts the momentous and tragic history of the Poznan uprising of 1956. The memory of the director, who was a nine-year-old boy at the time, is the only canvass of the script. The main characters of the black-and-white film are two boys aged ten and twelve. From their perspective, the viewer follows the development of events. From the depths of the gates, through the rails of fences and cluttered backyards, through the eyes of the children we watch the street riots. The film, without action in the literal sense of the word, was made using a reportage technique that perfectly captures the spontaneity of the Poznan uprising. Among other things, the author of the picture depicts the adventures of a young worker Zenek, who becomes the unwitting leader of the protest, and five professors, who by chance find themselves in the very center of events.

A young priest comes to a town to help the old provost in pastoral ministry. It early May, the parish prepares for the First Communion. Unexpectedly, the provost is admitted to hospital with a heart attack. Priest Piotr is on his own now in a completely new place. At a catechesis, one of the girls catches his attention. She’s sad, introvert and sometimes even aggressive. Marta is a daughter of the richest man in the town. During her confession, the priest feels she’s hiding something. When the time of Sacrament reception comes, Marta runs away from the altar. After hours of searching, priest Piotr finds her hidden in a vestry. The girl tells him the horrible truth.

A portrait of cabinet intrigues, the false aspirations of the party elite and the grinding reality of the 1960s, or "our little stability." Robert Meller and Janusz Dymek's documentary drama concerns the famous 1964 meat scandal, in which three death sentences were demanded and one was adjudicated and executed. The victim was Stanislaw Wawrzecki. Ostensibly, it was about fraud and bribes in the meat industry. In fact, it was about covering up the government's economic ineptitude, shortages of supplies and directing the people's anger at a few defendants.

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Jakub is coming back to his home town only to discover his former girlfriend has leukemia. He has to confront the past he wanted to escape from.