Sofía Palomino

Nafta Súper was born as a spin-off of the argentinian cult film "Kryptonita" (Kryptonite) from 2015. Eight suburban episodes, eight mocking, engaging, and ferocious hunts. Nights of drinking that are nights of shooting, lived with adrenaline, dark humor, and glistening sweat.

Time to Think proposes to address the problem of gender violence, questioning stereotypes and the ways in which women are represented in the media. Each episode poses a conflict that runs through the daily life of a woman and her environment. With a mixture of drama, romantic comedy, and humor, it addresses a socio-emotional conflict that runs through a woman's life, faced with situations that intersect opposite feelings.

Sabrina Correa is a journalist with a daughter and a successful husband. However, her world falls apart with the reappearance of Salvador Carvallo, a famous artist who reopens dark chapters of a past she thought she had forgotten.

Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.

Emi lives with his adoptive parents in the suburbs of Buenos Aires. He is trying to find a job to cover his expenses and, at the same time, beginning a search for his biological parents. Over time, he will find work at a repair shop and start associating with both his employer and his family. However, this is no coincidence.

A film buff, after being fired from his job, embraces his compensation in pursuit of making his debut feature: a short film for which he has neither the actresses, nor the script, nor the slightest idea of ​​where to start.

A rural police officer investigates the bizarre case of a headless woman's body. The prime suspect blames the crime on the appearance of a legendary monster.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

7 year old Matías returns home from a friend’s birthday party to find his mother, Laura, unconscious on the floor. When she recovers her senses they decide to leave home and rush to a shelter for abused women where they spend 48 hours before Laura decides to rebuild her life somewhere else. Through the eyes of Matías we will discover their escape in a city where everything Matías once knew feels dangerous and foreign until Laura finds a secure place to raise her son.

Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.

Antonio wanders the streets of Buenos Aires in search of money and sex. The magnetism he exerts on the people who cross his path allows him to steal and cheat them. Only his mother, with whom he has a confictual relationship, will get over his feeling of impunity and will push him to leave for a trip to the south of Argentina.

La Negra and Vicenta are two homeless women. After losing their place and belongings, they meet Pola, a younger woman who is starting out in a previously unknown reality. The three women accompany each other revealing the complexities of being a woman, being older and living on the street.

A rock concert, the irruption of the police, four friends forced to flee quickly and forget their backpack there. Friendship and adolescence combined as one, the future less than a time to travel rather than a space (a city) to discover.

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

Remo Venica and Irmina Kleiner, Agrarian League activists in northern Argentina in the 1970s, were forced into exile in the mountains for four years. They gave birth to their first daughter and learned to live off what the mountains had to offer. Today, having survived military persecution, they have a sustainable biodynamic farm and are committed to repopulating the countryside. Their struggle continues.

Ana Livia Plurabelle (30) has different sexual encounters that will make her realize something she hasn't thought about before: the possibility of making money with her body.

Jesús López, a young racing driver, dies accidentally leaving his town in astonishment. His cousin Abel, a drifting teenager, gradually feels tempted to take his place in life.

Heartbroken, Maite arrives at a coastal town where the few residents live out their lonely lives. The peace soon disappears, when they come across an unconscious sailor on the beach one day, prompting Maite to decide whether to move forward and create a new life or remain stranded on those shores.

"Alicia, Go Yonder" is the story of Alicia, a nineteen-year-old who sets out on a solitary journey to the end of the world only to come face to face with the immensity of the universe.

After ending a long relationship, Malena finds herself in an existential crisis. Locked in her studio, she dedicates herself solely to her work as a designer, avoiding any type of human contact. Suddenly, Andrea, her mother, shows up at her door with a statement: she has just had a fight with her husband, and she won't give up until she begs for forgiveness. In the meantime, he decided that he will stay with his daughter. This invasive and suffocating presence bursts into Malena's life to bring order to chaos, chaos to order, and examine each of her actions, past, present, and above all, future.