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Esther Goris

Esther Goris

Acting

Biography

Is an Argentine actress. Her film career started in 1983 with Los enemigos and Gracias por el fuego. In 1996 she starred in the Argentine entry for the Academy Award for Best Foreign Language Film Eva Perón: The True Story as the legendary Evita during the last year of her life, alongside Víctor Laplace as Juan Perón. Goris has also appeared in several TV series and mini-series, the last ones in 2004: Epitafios and El Deseo (The Desire).

Known For

La Leona
10.0

No description available.

La Leona

2016
Hidden Witnesses
4.3

A prostitute and her boyfriend and pimp extort money from those who hire the services of prostitutes in a Buenos Aires neighborhood by filming them without warning, but one of their victims turns out to be a powerful French businessman.

Hidden Witnesses

2001
Jorge
8.7

Jorge Peker (Santiago Gobernori) is a frustrated lawyer who does not practice his profession and who is employed in a call center. One afternoon Jorge learned that his father had died. A few days later, at the wake of his father, his girlfriend Luciana (Charo López) leaves him and learns that his father left him as a legacy a house. The conflict appears when you realize that you can not keep this huge house alone, which forces you to rent a room and the only candidate that comes is Ludovico (Javier Drolas), a live, active and enterprising boy, his complete opposite. Ludo is paralyzed and walks in a wheelchair. This makes Jorge fight against his prejudices and learn to live, not with someone different, but simply, with living with someone, accepting others and considering them. And so he sets out on the royal road to be able to form the family he always wanted.

Jorge

2013
Sheik
9.0

No description available.

Sheik

1995
Primicias
8.0

No description available.

Primicias

2000
No image
10.0

No description available.

El vidente

1986
Thanks for the Fire
5.3

The failure of Budiño Ramon, who plans first murder of his father and is recognized after unable to carry it out, is due largely to the general attitude of a society that tolerates no dramatic gestures. However, the inadequacies of radical class, beliefs, feelings, profession and memory also plays a leading role in the drama.

Thanks for the Fire

1984
Los enemigos
8.0

The film depicts an eccentric Argentine family consisting of an elderly woman, her son, and the maid. Their relationships with each other and the outside world are closely linked to the dictatorship that grips the country they live in.

Los enemigos

1983
Anni ribelli
4.3

Buenos Aires, 1955. One of a family of Sicilian immigrants, the adolescent Laura is on the threshold of adulthood. Her father Francesco Lojacono, is a humble tailor whose relationship with his daughter is one of extreme conflict. As Laura becomes increasingly emancipated in Argentinian (and therefore American) fashion, her father feels personally betrayed.

Anni ribelli

1996
The Things of Love: Part 2
5.6

On the way to his exile in Lisbon, Mario meets Silvia, a widow who turns out to be one of his admirers. Silvia has inherited a fortune, leading Mario to resume his career, eventually falling for him. Although Mario has relations with her, he makes it clear that will never fall in love. In Madrid, Juan Pepita and resume their relationship, and because of this the jilted Nena John Colman murders before Pepita, after being arrested. Pepita accepts a contract in Argentina, reunited with Mario. There he meets Tulio, who after starting a relationship with singer eventually ask marriage.

The Things of Love: Part 2

1995
The Day Maradona Met Gardel
3.8

Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.

The Day Maradona Met Gardel

1996
Asleep in the Sun
4.2

Lucio Bordenave carries on the Grey lifestyle of an unemployed worker, dedicated to the trade of watchmaking, until in a somewhat mysterious way, his wife is admitted to a Frenopatic Institute. From this point on, the story enters a territory without parameters where reality is confused with the imaginary, sleep with wakefulness, and insanity with lucidity.

Asleep in the Sun

2012
Condemned to Hell
4.4

Silvia is incarcerated in a corrupt women prison and forced to participate in drug distribution. When she refuses she is punished and her sister murdered. She will try to get free and get her revenge.

Condemned to Hell

1984
Doña Bárbara
5.0

Dr. Santos wants to sell the ruined family farm to start a new life with his girlfriend in Europe. Instead, he succumbs to the country's fascination and tries to rebuild the ranch with his ancestors. He meets two fascinating women: The beautiful Doña Bárbara, who is said to bewitch every man, and her wildly grown and equally beautiful daughter.

Doña Bárbara

1998
Acorralados
4.5

No description available.

Acorralados

2012
I Tita, A Life of Tango
7.5

A portrait of the life of Tita Merello, famous Argentinian singer and actress.

I Tita, A Life of Tango

2017
Eva Perón
6.0

Drama based on the life of Eva Peron, an obscure actress, who rose to become wife of Argentine strong-man President Juan Peron and one of the most powerful figures in Argentina until her death in 1952 at age 33.

Eva Perón

1996
One Shot
N/A

Marita is a trans-sexual woman from a small town in Entre Rios, Argentina who lives a solitary life in a world that sees trans-sexuality as a misunderstood phenomenon instead of an identity choice.

One Shot

2018
Cabeza de pescado
N/A

A taxidermist living with his wife and son who suffers from a virus which is mutating himself into another being, then he meets a woman who will tragically change his life

Cabeza de pescado

2010
No image
5.0

"Life is a latency that as time and space becomes visible as a figure. But never eat at all, there are other possible lives. Making a life is difficult, filming the impossible itself . with this imago-auto-bio-graphy is an attempt to talk about this ambiguity, where what could be is the possibility of a memory, where what was and what was not, can be remembered in the same way, . always I lived with mixing the imagined thing is chosen in this chancy; go left on the road the other films that might have emerged" -Narcisa Hirsch

El Mito de Narciso

2011