Moustapha Alassane

Ali is the image of modern Africa. He happily returns from a football match on his motorbike but a nasty surprise is waiting for him at his parents' home: he finds Haoua, his bride-to-be, waiting for him. The wedding is celebrated shortly afterwards and the two begin living together under the same roof. They are strangers but cannot stand each other. Haoua is the classic traditional woman who has just arrived from the village, God-fearing and faithful to the laws of tradition. Ali's friends advise him to look for a second wife. He meets Henriette, an uninhibited and provocative city girl, the woman of his dreams. To meet Henriette's constant requests, Ali 'borrows' some money from the coffers of commander Soleymane, but he is discovered and ends up in prison. Henriette is furious and leaves him, whilst Haoua cries for him in despair.

This documentary offers an overview of French scientific research in Africa French scientific research in Africa: hydrology, botany, biology oil palm and coconut cultivation, industrial sea fishing and and urban planning. Film montage taking stock of scientific research research in Africa, mainly in the fields of hydrology hydrology, botany, biology and agriculture. The film is a compilation of extracts from several short films made by Jean Rouch in Mali, Niger and Côte d'Ivoire between 1962 and 1963: Abidjan, port de pêche, Le Mil, Le Cocotier and Le Palmier à l'huile. l'huile.

The gods have declared the drought of the country. There seems to be no hope. A holy man summoned by the king requires the sacrifice of a young woman to put an end to their anger. A young man in love decides to go in search of water to save the girl from a tragic end, but when he returns with good news it's too late: the genie had his satisfaction and Toula has already disappeared in the holy swamp.

One taxi driver, the other mechanics or masons. They drive a moped as Johnny Halliday and wear pants Zazous. During the weekend, they play in a real western with guns purchased at the supermarket, loaded with blanks. They love violence, their favorite actors are Edward G. Robinson and Glenn Ford. The heroine is selling at the Galerie du Niger. When the Nigerian filmmaker Mustapha Alassane turned the return of an adventurer, the first African western, Serge-Henri Moati wanted to make a film about film. The cowboys are turning black traces and proves at the same time the reality and fiction, film and life, sometimes extremely close, especially when it comes to the Wild West ..

An African travels to Paris to learn about the construction of tall buildings, but is soon taken up with the oddities of French life.

Based on a traditional folktale, this animated film follows the hero Sambagana, who must complete a succession of arduous trials in order to make a princess laugh and earn her consent to marriage. Combining drawn animation and stop-motion puppetry, the film retells the legend through a stylized, episodic quest narrative.

Back from the US to his village in Niger, a man brings Ameican Western outfits to his close friends, who immediately identify with cowboys. A bloody western begins in the savannah.

No description available.

The festive citizens of the Kingdom of Frogs crowd into an arena to watch their warriors engage in hand-to-hand combat and to see Tountia and her musicians perform an enchanting concert.

An animated film made with humor and tenderness whose action takes place in a small village in the African bush.

Alassane brings to life the Zharma legend of King Koda who, in order to test the loyalty of a subject, asks him to guard one of his rings for a year.

A market is held in Bagagi, Niger, once a week. The butchers are the focal point of this event which is essential to the existence of the social group.

Tahar Cheriaa: Under the Shadow of the Baobab documents the career of one of the core fathers of Pan-Africanism and founder of Africa’s first film festival, the Carthage Film Festival. After Tunisian independence, Cheriaa used all his energy to bring the first authentic images of postcolonial Africa to broader audiences. The film depicts Cheriaa’s ideas and projects, with interviews and archival material creating a complete portrait of the man and his fight for both Sub-Saharan African cinema and African cinema as a whole.

Moustapha Alassane is a living legend in African cinema. His adventures take us to the era of “pre-cinema”, to the times of magical lantern and Chinese shadows. He is the first director of Nigerien cinema and animation films in Africa. He tells very old stories with current technology, but he also narrates the most current events with the most archaic means. This documentary not only tells the adventure of a human being and an extraordinary professional, but the memories of a generation, the history of a country, Niger, in its golden age of cinema.

Monsieur Sim, the president of the Republic of Toads, receives a scoundrel’s welcome from his citizenry after returning from a luxury holiday abroad (disguised as a diplomatic mission).

No description available.

No description available.

This hybrid documentary chronicles the life of a young married Zharma(ethnic Muslim) couple living in the Niger River Valley.

Alassane considers the mingling of traditions during the coronation of the new Shaki king of the Oyo state of western Nigeria.