Marya Thomas

The Wild Wild West is an American television series. Developed at a time when the television western was losing ground to the spy genre, this show was conceived by its creator, Michael Garrison, as "James Bond on horseback." Set during the administration of President Ulysses Grant, the series followed Secret Service agents James West and Artemus Gordon as they solved crimes, protected the President, and foiled the plans of megalomaniacal villains to take over all or part of the United States. The show also featured a number of fantasy elements, such as the technologically advanced devices used by the agents and their adversaries. The combination of the Victorian era time-frame and the use of Verne-esque style technology have inspired some to give the show credit for the origins of the steam punk subculture.

Convicted cat burglar Alexander Mundy gets an offer he can't refuse from the United States government: If he puts his formidable thieving skills to work for them, he'll be released from prison. Alexander's dad, Alister, sometimes comes out of retirement as a thief to help his son on special jobs.

Joe Lightcloud persuades his Congressman to give him 20 heifers and a prize bull so he and his father, Charlie, can prove that the Navajos can successfully raise cattle on the reservation. If their experiment is successful, then the government will help all the Navajo people. But Joe's friend, Bronc Hoverty, accidentally barbecues the prize bull, while Joe sells the heifers to buy plumbing and other home improvements for his stepmother.

Ass-breaker Dingus Magee is looking for a gold train when he comes upon old acquaintance Hoke Birdsill on stage to San Francisco, and robs him of his money. Hoke goes to the nearby town of Yerkey's Hole, where Belle Knops is both mayor and bordello-mistress. She appoints Hoke Town Sheriff and tries to get him to stir up the Indians so the soldiers at the nearby fort (the main customers) won't go to Little Big Horn. Dingus tries to stir up more trouble and get involved with the pale, baby-talking Indian, Anna. The film is a send-up of the oft-repeated phrase "the Code of the West" and exaggerates it and what it stands for into the ridiculousness that it is.