Claudine Nougaret

A lonely Parisian woman comes to terms with her isolation and anxieties during a long summer vacation.

Clara (Karin Viard) is a stripper with a high-strung, jealous boyfriend with the curious name of Loockeed (Antoine Chappey). The couple are friends with the even-temperred, almost saintly Max (Gerald Laroche), an auto mechanic. The three of them set out from their home in the north to journey to the Alpine mountains near Switzerland and Italy, where they will help a fourth friend take care of his pleasure boat business at Lake Annecy while he is in military service. As the trio attempt to establish some sort of equilibrium in their new lives, Max must constantly deal with Loockeed's testy, jealous barbs. Despite this, the three of them remain friends.

One morning, in the Luxembourg Gardens, Paul and Charlotte meet. They had dated years before. The past resurfaces.

Second documentary of a trilogy produced on the long term (together with Profils paysans: l'approche (2001) and Profils paysans: La vie moderne (2008)), showing the simple lives of farmers in contemporary Southern France.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

The first of a documentary serie about rural France.

Following the 1974 French presidential campaign with Valéry Giscard d’Estaing.

A new documentary by filmmaker-photographer Raymond Depardon – where justice and psychiatry meet.

Using a rostrum camera, Raymond Depardon films a long series of photos, from the narrow streets of Paris to the endless desert, accompanied by original sounds of the city. A Cartier Foundation initiative for the contemporary arts.

A film about the rebellion that took place in the French department of Ariège from 1829 to 1832, and continued in a less intense fashion until 1872.

May 68. While, outside, people are demonstrating, a man is finishing the editing of Baisers volés.

In lights and colors, Raymond Depardon photographs according to his desires. He retraces his steps, wanders around the places he loves or discovers: Buenos Aires, Paris, Los Angeles, Honolulu, the Mediterranean, Faya-Largeau, Modra and his peasant friends's homes. A portrait in the atmosphere of a free man.

When film director Mathieu casts a famous actress to portray a character based on his aspiring-actress wife, he creates a rift in his marriage. French filmmaker Philippe Garrel's family members portray versions of themselves in this lyrical drama.

Photography trip to Bolivia filmed with a rostrum camera and edited with original sounds from the country.

No description available.

Created for the exhibition "Nous les Arbres" (2019 – Fondation Cartier pour l'art contemporain), this film gives a voice to those who live alongside trees, spend time with them, cherish them, observe them, advocate for them, care for them, admire them, or who are perhaps a little weary of living in their midst.

The Garet farm is for sale. Brothers Jean and Raymond Depardon chat about the past and the future of the farm.

Documentary that follows the movement of the collage makers throughout France.

No description available.

Loosely based on Diégo Brosset’s novel, set in the Sahara at the beginning of the twentieth century. A man of the desert is adopted by some hunters and becomes a highly respected guide while trying to escape colonization.