Adhemar Gonzaga
Production
Biography
Adhemar Gonzaga (26 August 1901 – 29 January 1978) was a Brazilian actor, screenwriter, film producer, and director. He worked as a journalist for the film magazine Cinearte (1926–1942) which advocated the creation of a more professional, commercial film industry in Brazil. (Wikipedia)
Known For
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O Dia É Nosso
A good-hearted man, betrayed by his wife and friends, fakes his death and takes up a new identity, as a nameless, wandering drunkard.
The Drunkard
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Carnival in A Major
An elderly head of the family, unlike his family—wife, daughters, future son-in-law, and servants—horrifies Carnaval, forming a humorous contrast. But, in need of money, he finds himself forced to accept the demands of an old Luzitano, who will only lend him money if he joins his group and joins the revelry.
Está Tudo Aí!
An ordinary thief and two accomplices invade a mansion whose owners traveled to Buenos Aires. They settle there with the whole family, until the real owners return. The owner's natural son saves the thief's situation when he threatens to reveal some compromising documents.
O Samba da Vida
A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.
Hello, Hello, Brazil!
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Salário Mínimo
Three couples, two already living in Rio; and the third, with 'the one who hates carnival', coming to visit an aunt. One of the women bets that all husbands are unfaithful. They send invitations to their husbands to the carnival ball. They find a pretext to be able to attend. They, in turn, go in disguise, just like the maid. Hence the confusion at the ball, each one dating the other's wife.
Tererê Não Resolve
Badly advised by a high-class friend (who covets her husband) and by her scatterbrained father (always preoccupied with making cocktails), singer Noêmia forces her husband to abandon suburban life for the noisy 'big life' of Copacabana.
Onde Estás, Felicidade?
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A Voz do Carnaval
Luizinho is a young man passionate about Flamengo, fortunate enough to have his education paid for by the club, and plays in the team's lower divisions. A pupil of Rubens, the two compete for a spot on the professional team. Until Rubens introduces his friend to the woman he's in love with, Maria Helena. The problem is that she was Luizinho's childhood sweetheart, and the encounter rekindles their passion. A conflict begins between the two players that will be decided on the field.
Alma e Corpo de uma Raça
As a baby, Carlos was abandoned in the church at the feet of Holy Mary, raised by the priest, and consecrated to her. As a child, he falls in love with the daughter of the Commander, the local landowner, who is already promised to the son of a ruined count.
Coração Materno
The love misadventures of a teacher, a woman who gives up living in a big city in order to teach country children how to read and write.
Romance Proibido
Two authors go look for a business to finance their dream musical.
Alô Alô Carnaval
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Obrigado, Doutor
An unlucky woman checks in a hotel pretending to be a French baroness so she can have 24 hours of dream before comitting suicide.
24 Hours of Dream
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Black Diamonds
Ubirajara, chief of the Araguaias, is engaged to Jandyra. One day, however, he falls in love with Aracy, daughter of Itaquê, chief of the Tocantins and sister of Pojucã, his prisoner. He frees Pojucã so he can declare war on Itaquê and retrieve his daughter. Itaquê is wounded by other enemies and goes blind. The two tribes unite and elect Ubirajara as chief.
Ubirajara
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Loucos Por Música
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