Cinzia Lo Fazio

After crash-landing on an alien planet, an asteroid miner must contend with the challenges of his new surroundings, while making his way across the harsh terrain to the only other survivor – a woman who is trapped in her escape pod.

Four waiters and a cook working at a seaside restaurant hate one another but still keep working together for lack of better opportunities.

The life and times of Armando Feroci, a fortyish year old, who's been everything, a divorced husband, a careless father, an unreliable brother. The story is told in flashback by his friends while Armando has been mysteriously kidnapped in an Arab country by an integralist group and condemned to death.

A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac, who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina. He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella.

Two linen fabric dealers with their shops close to one another, battle against each other for more and more costumers. Umberto constantly loses clients because of the tough competition brought by Leone, who offers the best prices in the neighborhood. But they leave differences aside when the rise of Fascism places Anti-Semitic politics which rigidly control business like the one conducted by the Jewish Leone, and those new regulations are viewed by Umberto as completely unfair. The long rivalry soon becomes a great friendship.

Romeo, a lovelorn Roman musician in his 40s with 20 years since his only hit, consults a fortuneteller who predicts he'll find love and money with a foreign singer named for a flower. In Brussels he meets Marguerite, an older chanteuse who interprets Jacques Brel and loves her yappy dog.

This film depicts a series of landmark events in the life of hapless thespian Antonio Hutter (Alessandro Haber), the unfortunate fictional alter-ego of legendary actor Alessandro Haber. This surreal faux-biography begins with Hutter's birth in Bologna, Italy, and his early life in the Middle East and follows him through the highs and lows of his acting career, using a combination of interviews with real-life colleagues, archival footage and improvised scenes along the way.

A married man with two children, faithful and in love with his wife, discovers that his wife would like to spice up the menage a little. He plays along and starts texting her as if he were his lover.

The fictionalized story of one of the most incredible and enduring love stories of two tennis megastars: Steffi Graf and Andre Agassi. No one expected that these two completely different personalities - she is the introverted German and he the temperamental American - would fall in love with each other. And the two of them probably least of all...

For Arturo, a forty-year-old actor, success has finally arrived: the TV series in which he plays a separated father is doing quite well. Unexpectedly, however, comes the flipside of his popularity: Mirko, a boy who recently lost his father, has replaced him in his imagination with the character of Arturo. The media is going wild, and the presence of Enrico, the actor's agent, becomes increasingly pressing.

No description available.

Seventies. In the unprecedented setting of an arbëresh community (the Albanians of Italy) in a small town nestled in the hills of Ionian Calabria, Marco, a thirteen-year-old boy, finds himself having to manage a complicated family situation. By chance he discovers that her sister Elisa, a university student in Cosenza, has a reaction with a married man much older than her.

In a hidden corner of Cinecittà there is a magical place that no one knows about and that was about to disappear. It is STUDIO EL founded in 1983 by Ettore Scola and Luciano Ricceri. A creative space, a sort of Renaissance workshop, a factory. A place where the two great friends prepared their great films in Cinecittà, but where they gave the opportunity to many young people to grow and improve their professionalism. After the passing of Ettore Scola and Luciano Ricceri, time at Studio E.L stopped along with many objects that are the memory of almost 40 years of history of our cinema. Before Studio EL closes forever, becoming a museum space inside Cinecittà, we would like to give the objects it contains the value they deserve and tell their stories.

No description available.

For doctors “MARASMA” was a diagnosis: a state of deep organic deterioration, total loss of strength. In mental hospitals, people did not die of mental illness, but of marasmus. This is what the medical records say, which today reveal the most difficult stories: those of the last among the weakest, children and women. Through their testimonies we can also give voice to those who do not know, who do not want or can not remember.