Francesca Balletta

On the surface the women at the convent are your average nuns. However, what they get up to in their spare time is far from what you'd expect from nuns.

Italy, the early 19th century. A villa is the home of a small English community, all rich and superficial people lounging about in its beautiful surroundings. Claire, George's wife, and Robert, her son, are murdered by a mysterious killer. Thinking the murderer is one of the family, distraught George devises a plan to unmask the culprit. Having met a woman, Ann, who is a dead ringer for Claire, he takes her back to the villa and announces their imminent marriage. Ann is considered an outsider and treated with contempt and hostility, while George fails to find any significant clue to the solution: everybody is to be blamed, at least morally, but the final revelation is more bitter than expected...

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

The incorruptible judge Annibale Salvemini, starts investigating over a classic Italian business/politics/corruption affair. He start to operate, as usual, very strongly. He orders numberless arrests. But the reaction of counterparts won't take long. In fact his strong energetic manners, drive him unintentionally on the opposite situation. Who is the real guilty the judge or the corrupted Italian society?

A gang of four boys and a woman kidnap a lawyer.