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Noburô Ôfuji

Noburô Ôfuji

Directing

Biography

Born 1900, in Tokyo. Ofuji learned the basics of animation under Junichi Kouchi, and later developed his own unique animation style using cutouts from chiyogami (Japanese traditional decorative paper with colored patterns). While strictly maintaining his independent production style, he attempted a variety of techniques such as paper cutouts, cel, silhouette, and colored cellophane.

Known For

The Life of Buddha

A re-edited, feature length compilation of the two parts of Ôfuji's The Great Sage Shakyamuni Buddha - the culmination of Noburô Ôfuji's monochrome silhouette films. After a portentous dream about a white elephant, the ancient Hindu princess Maya gives birth to a prince. Reared in seclusion from the troubles of the world, Prince Siddhartha is troubled by sights of poverty and deprivation when he is 12 years old. He is married to a beautiful wife, but he is unable to bear the thought of others suffering, and leaves the palace in search of an answer. While sitting beneath a tree, he achieves enlightenment. Planned as a nine-reel life of Buddha, but exhibited in Cannes as ‘Part One’ with only 6 reels completed, this late work by Noburô Ôfuji was not completed until after his death. It was only in 1961 that it was finally exhibited as a full 72-minute film (comprising 10 reels).

The Life of Buddha

1961Movie
The Roots of Japanese Anime Until the End of WWII: 1930-1942

A rare glimpse of early Japanese sound anime and prewar Japanese culture, The Roots of Japanese Anime features the masterworks of such pioneers of Japanese animation as Noburo Ofuji, Yasuji Murata, and Kenzo Masaoka, in addition to Mitsuyo Seo’s Momotaro’s Sea Eagle, the notorious war cartoon billed as Japan’s first feature anime. These movies represent the brilliance and variety of anime, ranging from beautiful Japanese paper animation to powerful multiplane cel cartoons. They also evoke the fascinating complexity of Japan, a nation that is then both marching towards war, enlisting kids in militarist nationalism, yet also delighting in a mixture of modern popular culture, ancient folk tales, irreverent comedy, and the everyday life of prewar Japanese children.

The Roots of Japanese Anime Until the End of WWII: 1930-1942

2008Movie