Hiroshi Izumida

A group of sinners involved in interconnected tales of murder, revenge, deceit and adultery all meet at the Gates of Hell.

This horror tale adapts the Japanese legend which tells of a man who faces the consequences of betraying his wife in order to acquire wealth and power.

Meiji Tenno portrays the buildup to the Russo-Japan War. In addition to showing the political events that led to war, it also shows the era from the story of a farm family in rural Japan that sends their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and its combatants often do not know what they are fighting for.

Jun Aisaka seduces one woman after another. His victims were flirtatious married woman Noriko, student Keiko, widow Mitsuko and dancer Rumi. As a result, he ends up in prison, but after escaping with another prisoner, he continues his criminal adventures with a partner. It is clear that this will not end well. Moreover, a couple of detectives are already on the trail of the criminals.

No description available.

In 1941, overpopulated Japan faces an economic boycott and its armed forces push further to the south. And despite negotiations between Japan and the U. S. A. war is declared with the attack on Pearl Harbour. Victories follow for Japan on land and sea and her forces push forward to the borders of India. But gradually the tide turns in favour of the Allies and after the atom bombings of Hiroshima and Nagasaki, Japan is compelled to accept the Potsdam Declaration and by the order of the Emperor agrees to unconditional surrender. Under the supervision of the occupation forces the International Military Tribunal opens in Tokyo to try the Japanese war leaders. Established in the cause of justice, and to prevent future aggressive wars the trials drag on for two and a half years. And on December 23, 1948, General Tojo and six other war leaders mount the thirteen steps to the gallows at Tokyo's Sugamo prison.

Japanese war film based on the true story of Yoshiko Kawashima, played by actress Miyuki Takakura in her film debut.

No description available.

No description available.

Yōko is a young woman who is forced into prostitution by a yakuza gang. She repeatedly escapes from the gang, and is repeatedly captured, and repeatedly tortured at length.

A 1956 alien invasion tokusatsu film directed by Shinichi Sekizawa, the screenwriter noted for his immense contributions to Toho's Godzilla series by providing the screenplays/stories for the majority of the original Showa films.

Oiwa has been searching for the one who killed her father for a long time. She comes to Yedo and sees a man named Naosuke. The film is based on the kabuki classic: Toukaidou Yotsuya Kaidan (1826) written by Tsuruya Nanboku and is one of the most famous ghost stories throughout Japan.

Saheita, the final heir of a once rich and respectable family, can't refuse the many villagers that come to him for favours and money, even though he is on the brink of bankruptcy. Around town he is better known by his nickname Mr. Shosuke Ohara.

No description available.

Arrested for the murder of her wealthy businessman father, convicted on false evidence and sentenced to death, Kyoko is determined to prove her innocence.

Japanese comedy film.

Tired of poverty, Keiko leaves home and soon takes a lover, but leads a wanton life without paying heed to his advice. However, the younger sister Yoshiko, is an innocent and kind girl. One day, with the sudden death of their mother in a car accident, Keiko learns that she and Yoshiko are actually stepsisters, and that she is the daughter of a murderer. She now plans extortion from Yoshiko's true father who is the president of a well-known trading company.

Melodrama by Kiyoshi Saeki

Japanese film about motorcycle racing.

Yuri is looking forward to marrying her fiancé Minoru. However, a few days before the wedding she falls victim to his brother Takehiko, and against her will, she becomes Takehiko's wife. The day after the wedding, Yuri begins her silent revenge by not talking to her husband. She retains her love for Minoru and never gives herself to Takehiko's embrace again. She also contributes large sums of money from Takehiko's fortune to charity.