Writing
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.
Sanae is left a widow after her prestigious husband dies, but holds the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.
Kyoko is a new writer for the women's magazine "Josei no tomo" female reporter. One day, the magazine receives a letter from a reader, Ume, who, in order to support their ill father at home, was compelled to trade her body to her employer at a factory. Harboring her own grudge against her father for abandoning her and her mother, Kyoko determines to not only write about the factory girl for the magazine but also save Ume in the process. However, Kyoko's investigation forces her to confront a harsh reality while also grappling with the sudden news of her estranged father's own illness and desire to reunite.
Japan, February 1868. As the Tokugawa shogunate declines and the power of Emperor Meiji grows, Gonzo, a soldier of the Restoration Army, returns to Sawando, his hometown, to announce the end of tyranny.
Fumiko and Ryōtarō Namiki's marriage has gone stale, with both constantly arguing over what to do on a day off, or about her cutting out recipes from the newspaper before he finishes reading it. Their animosities are witnessed by Fumiko's niece Ayako, who visits to complain about her own husband's inattentiveness, and their new neighbours, the Imasatos.
A Jonan Station detective, Kikuchi, is framed for smuggling drugs and sent to prison. When he is paroled, he joins a private detective agency, where he is asked to investigate Mitsue Takazawa, the wife of a local trading firm president. While secretly conducting his own research, he finds out that Takazawa's husband is the one, responsible for Kikuchi's imprisonment, who also have set sights on Setsuko, a woman Kikuchi becomes romantically involved with.
No description available.
During WWII, Zensaku, middle-aged and deaf in one ear, learns that his son has fallen for the daughter of a war officer responsible for the maiming.
A drama film based on Ken Domon's photography of the children around the Chikuho coal mines.
The 22nd film in the Ekimae series about shop-owners living near Akabane Station, Tokyo.
The film tells the story of a man who was washed ashore on an uninhabited island after a ship wrecked by a storm, and after twelve years, he returned to human society.
By all indications, an anti-government conspiracy is brewing in the Satsuma Domain. Already seven oniwaban spies sent by the shogunate have infiltrated Satsuma in order to scout everything on the spot. However, they had all disappeared, and it was unclear whether they were alive or dead. Kenzaburo Kamiya and Iori Matsumura successfully infiltrate as the eighth and ninth spies and witness law-breaking exercises using a cannon. However, soon Satsuma men found them and drove them to the cliff...
The 21st film in the Ekimae series, commemorating the 35th anniversary of Toho. The film is a loose remake of the first film in the series, Ekimae Ryoukan.
