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Paulino Masip

Paulino Masip

Writing

Biography

Paulino Masip (11 May 1899 – 21 September 1963) was a Spanish writer, playwright, journalist, and screenwriter of the Generation of '27. Born in La Granadella, Lleida, Spain, he worked as a journalist and editor in Spain before going into exile in Mexico in 1939 following the Spanish Civil War. He became a Mexican citizen in 1941. In Mexico, Masip devoted much of his career to screenwriting, writing more than fifty scripts for Mexican cinema from 1941 onward. His credits included El barbero prodigioso (1941), El verdugo de Sevilla (1942), La barraca (1944), Jalisco canta en Sevilla (1948), Crimen y castigo (1950), Ahí viene Martín Corona (1951), and Escuela de vagabundos (1954). He frequently collaborated with prominent Mexican filmmakers, adapting literary and theatrical works as well as writing original screenplays. Alongside his film work, he continued writing novels, short stories, and plays, including El diario de Hamlet García (1944), considered one of the notable novels of the Spanish Republican exile. He died in Cholula, Puebla, Mexico, on 21 September 1963.

Known For

Dios los cría
6.0

Mrs. Nínive Cánovas Cannesi (Marshall) comes back from a long tour visiting Europe and not even realizes that her house is being inhabited by two jobless and homeless bandits (Tin Tán and Tun Tún) with master keys who had been living there worry free. They all share the house for a period of time, unknowingly to each other, in a series of well crafted and perfectly timed scenes where Catita and Tin Tán can be in the same room without seeing each other... When Tin Tán notices her presence, poses as the help, intercepting the real employees and sending to the north pole, literally. So now that Catita has them at her service, she can take time for her real goal, the foundation of a House for old people so they can live happy until the day they die, but Tin Tán and Tun Tún keep getting in her way and complicating everything...

Dios los cría

1953Movie