Gabino Rodríguez

Sayra, a Native Honduran teenager, hungers for a better life. Her chance for one comes when she is reunited with her long-estranged father, who intends to emigrate to Mexico and then enter the United States. Sayra's life collides with a pair of Indigenous Mexican and Mestizo-Mexican gangmembers who have boarded the same USA-bound train.

After being deported back to Mexico, a man has no choice but to join the vicious drug cartel that has corrupted his hometown in order to survive.

Six women share a common 'friend': madness. It visits us all, pushes us to decide reality, to make daring decisions and to transform our lives.

After wandering a ruined city for years in search of food and shelter, two siblings find their way into one of the last remaining buildings. Inside, they find a man who will make them a dangerous offer to survive the outside world.

Héctor Belascoarán leaves his corporate job and dull marriage to become an independent detective and tackle shocking criminal cases in 1970s Mexico City.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.

Tato and Beto are poor stepbrothers living on a banana plantation in Mexico. Both are talented soccer players, but their dreams lay elsewhere: tone-deaf Tato wants to be a singer, while Beto is content to remain on the plantation. One day, a sports agent sees the two young men playing soccer and offers to take one of them to Mexico City for a chance at sports stardom.

A deadly outbreak affects the south of the country , so that policies and health authorities sent a group of three young doctors to vaccinate people across the region and teach preventive health measures . However , during their cross a village called Aguazul , where the population is mysteriously reluctant to visit, even the doctor in charge of this town warns them not to try to vaccinate their inhabitants , but young people do not listen and heading embark that it will be the last people on your route . Thus begin a series of strange events , and as you go deeper into this world " in the name of science ," witness extraordinary phenomena outside reality , all related to a famous " boy " who confronts his rigid scientific arguments against the possibilities of faith.

Silvestre, a down-on-his-luck film director, receives an invitation to have a meeting with a millionaire named Ricky. Silvestre decides to try his luck and present his project, a Mexican epic lasting more than three hours about the life of Benito Juárez. The date is at Ricky's house, a few hours from the city. Silvestre arrives at the meeting with enthusiasm, but things are not as planned and he is the victim of an elaborate prank.

An actor's world comes crashing down after he learns that his wife has left him.

When 9-year-old Abel assumes his absent father's role as man of the house, he garners his family's respect, and life resumes a comfortable rhythm -- until a man arrives at the house, claiming he's the long-lost patriarch

Rosa, a contemporary music composer, agrees to give her first television interview at her colleague Tere’s apartment to keep it secret from her husband. What begins as a simple professional conversation turns into an absurd and comic portrait of rivalries and affections among three women—Rosa, Tere, and Tere’s daughter Luisa—interrupted by power outages, a constantly barking dog, and the visit of a famous composer. As the interview unravels, family and artistic tensions surface, revealing, with humor, both the fragility of prestige and the strength of complicity.

Yessica is a rebellious girl who forms an unlikely friendship with quiet schoolmate Miriam. Yessica's home life is ruled by her brutal stepfather and her amoral stepbrother, Jorge, while Miriam shares a calm, loving household with her mother. The girls' friendship is shattered after Jorge arranges to have one of his friends rape Yessica.

Deep in the jungle, a group of Mexican gum workers crosses their path with Agnes, a mysterious Belizean woman. Her presence enlivens the fantasies and desires of those men, without knowing that they have woken up an ancient Mayan legend.

Luisa and Gabino visit their parents in a mining town in the north of Mexico. Their father’s only interest in them is sparked by Luisa’s actor boyfriend when he acts out the role of a narco kingpin. To cope with family tensions, Gabino imagines a parallel reality of detectives and organized crime.

On the outskirts of an isolated mining town, Lázaro discovers a dead body. He thinks he has a respiratory illness and doesn’t want to go back to the mine. Rumours, suspicion and desire surround him.

Gabino, a very dedicated and hardworking young high school student, he is infatuated with Maty and tries to make her fall in love with him. After an incident in the school, where Gabino and his two friends are suspended for harassing Maty, she rejects him for the last time causing Gabino to plan a revenge against Maty.

A Mexican biologist living in New York returns to his hometown, nestled in the majestic butterfly forests of Michoacán. The journey forces him to confront past traumas and reflect on his hybrid identity, sparking a personal metamorphosis.

An itinerant mover works from the streets of Mexico City with his partner and lives with his beleaguered mother. A heightened tension within the home – by the absent older brother and unmentioned father. Gabino's casual pursuit of a career is interrupted by a series of intense and almost satirically telenovela-esque domestic vignettes.