Un Film Provocado Por

In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)

Two childhood best friends are asked to share a kiss for the purposes of a student short film. Soon, a lingering doubt sets in, confronting both men with their preferences, threatening the brotherhood of their social circle, and, eventually, changing their lives.

Paul and Agnes have been going out for quite a while and Agnes is shocked to learn that he'd rather live with two roommates on campus than move in with her. As soon as he meets one of his roommates, Louis-Anault, Paul's behavior changes - he is attracted to Louis without realizing so himself. Agnes, on the other hand, gets quite jealous and offers a bet: Whoever gets to have Louis-Anault first, wins... If she does, Paul will no longer explore his homosexual desires, if he does - she'll walk away. Meanwhile, Paul meets Mecir, a young Arab worker, who shows him there's more to life than elite colleges...

Chloé, a fragile young woman, falls in love with her psychoanalyst, Paul. A few months later she moves in with him, but soon discovers that her lover is concealing a part of his identity.

Antoine works in a bar in Paris. One evening on his way home from work, he intervenes when a man tries to commit suicide. He feels strangely guilty about having saved the man's life and constantly tries to help him, make things better. No matter what Antoine does, he can't get Louis's mind off Blanche, the woman of his dreams, his sole obsession, the reason why he wanted to die... Antoine decides to look for her, but doesn't let Louis know.

Anne is at a crossroads in her life. Long married to a successful, driven but inattentive movie producer, she unexpectedly finds herself taking a car trip from Cannes to Paris with Jacques, a business associate of her husband. What should be a seven-hour drive turns into a carefree two-day adventure replete with diversions involving picturesque sights, fine food and wine, humor, wisdom and romance - reawakening Anne's senses and giving her a new lust for life.

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

Jean is young, gay, and promiscuous. Only after he meets one or two women, including Laura, does he come to realize his bisexuality. Jean has to overcome a personal crisis and a tough choice between Laura and his male lover Samy.

Mutual attraction leads two married couples to swap bedtime partners.

In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cécile, a character who symbolizes desire.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.

An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.

Two seemingly happily married French couples are forced to contend with a number of issues.

At once an intimate chronicle of a romance and a sprawling portrait of life in early 1990s France following the intertwining journeys of Jacques, a worldly Parisian writer, and Arthur, a curious, carefree and much-younger university student who is just beginning to live. Brought together by chance, the two men find themselves navigating a casual fling that gradually deepens into a tender, transformative bond.

Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy – They're friends, sometimes lovers and often both.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Real-life young couple Wim and Floor spend an afternoon in the sunwashed rooms of a crumbling home in Belgium. In a unique twist, this artistic erotic documentary is edited in nearly real-time. In the slowness, we get the build, the sweetness, and the sexiness. Forget about fingersnapping fast editing. Slow is where it’s at.

Fourteen years after the events of the original film, a series of encounters between people in Britain reminds us that in these different times Love, actually exists.

A car accident and shifting affections test the bond between a married couple.