Oxide Ghosts: The Brass Eye Tapes

Documentary about the making of American Pie (1999), American Pie 2 (2001) and American Wedding (2003).

Jack Rebney is the most famous man you've never heard of - after cursing his way through a Winnebago sales video, Rebney's outrageously funny outtakes became an underground sensation and made him an internet superstar. Filmmaker Ben Steinbauer journeys to the top of a mountain to find the recluse who unwittingly became the "Winnebago Man".

Best-of de la série télévisée Jackass.

An exposé of comic proportions that only Chris Rock could pull off, GOOD HAIR visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community.

Sur scène à San Francisco, le comique évoque les vieux qui se procurent de la drogue, son pire spectacle de stand-up, les bals de promo gay et les clowns d'anniversaire.

Fresh off the heels of appearing in movies like Superhero Movie and The 40 Year-Old Virgin, fast-talking comedian Kevin Hart stars in his second live stand-up performance in Cleveland, Ohio, where he makes fun of everything and everybody - especially himself.

The making of 'Dr. Horrible's Sing-Along Blog'.

In the world of stand-up comedy in South Africa, Trevor Noah uses his childhood experiences in a biracial family during apartheid to prepare for his first one-man show.

The Comedians of Comedy is an occasional stand-up comedy tour featuring Patton Oswalt, Zach Galifianakis, Brian Posehn and Maria Bamford that was documented in a 2005 film and 2005 Comedy Central television series of the same name, both directed by Michael Blieden.

Réalisé par Colin Hanks et produit par Ryan Reynolds, John Candy: I Like Me donne la parole à ceux qui ont le mieux connu John. Ils racontent son histoire à leur façon à travers des films, des photos et des interviews d'archives inédites. C'est un documentaire sur la vie, la carrière et la disparition d'un des acteurs les plus aimés de tous les temps.

Un "documentaire" post-rupture des Sex Pistols plutôt incohérent, raconté du point de vue du manager des Pistols Malcolm McLaren, dont la position (discutable) est que les Sex Pistols en particulier et le punk rock en général étaient une arnaque élaborée perpétrée par lui dans l'ordre faire «un million de livres».

Le vieux Irving Zisman, quatre-vingt-six ans, parcourt les États-Unis avec un improbable compagnon : son petit-fils de huit ans, Billy.

Richard Pryor's stand-up act includes his frank discussion about his freebasing addiction, as well as the infamous night on June 9, 1980 that he caught on fire.

Déchaîné comme jamais, le comique Kevin Hart conquiert Philadelphie, ne faisant qu'une bouchée de la faune de banlieue, des shorts en jean et de l'éducation des enfants.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

Le tueur en série Dennis Nilsen raconte sa vie et ses horribles crimes dans une collection de cassettes audio glaçantes enregistrées depuis sa cellule.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

The comedic stylings of four sort-of famous funnymen are brought to the big screen courtesy of this 2002 documentary.

L'un des derniers spectacles de stand-up du comédien Richard Pryor. Toujours sans retenue, Pryor aborde la plupart des mêmes sujets que dans ses précédents spectacles. Filmé au Saenger Theatre de La Nouvelle-Orléans.

An inspiring, triumphant and wickedly funny portrait of one of comedy’s most enigmatic and important figures, CALL ME LUCKY tells the story of Barry Crimmins, a beer-swilling, politically outspoken and whip-smart comic whose efforts in the 70s and 80s fostered the talents of the next generation of standup comedians. But beneath Crimmins’ gruff, hard-drinking, curmudgeonly persona lay an undercurrent of rage stemming from his long-suppressed and horrific abuse as a child – a rage that eventually found its way out of the comedy clubs and television shows and into the political arena.