L'amico di Wang

Naples/Sorrento, mid 20s. A couple of small thieves conceive a scam whereby one of them dresses up as a eunuch Turk to care for the women of the family of a wealthy man. They end up messing everything up, with lots of gags and funny events in the meantime.

A pair of Americans want to perform the greatest robbery: the treasure of San Gennaro, in Napoli.

A group of teens hit the road in a stolen driver's ed car, racing against time to help a lovesick high school senior track down his college-freshman girlfriend and win her back.

Baron Zazà, always broke due his dissolute lifestyle, decides to con a hefty sum of money out of his wealthy but greedy brother.

In this satire inspired by Nikolai Gogol’s The Government Inspector (aka The Inspector General) and transported to fascist era Italy, the (supposed) incognito visit of a Roman fascist official to a tiny country town shakes deeply the ruling class and their lack of integrity.

Antonio, a former variety actor, keeps his daughter in an excellent boarding school by organizing small scams with his friend and colleague Felice. Commissioner Malvasia good-naturedly persecuted him. When their respective unsuspecting children fall in love, the two fathers make peace.

Antonio goes to West Berlin and meets Giuseppe. But Antonio looks like Canarinis, a wanted war criminal, So the daughter of the criminal pays Antonio to impersonate him.

Pasquale takes all of his 12 children and runs away from Monza, looking for a house of a wealthy and generous awning. Having met on the way impoverished peasant, Pasquale takes him also, having granted the rank of "Half-Monk" and thus having gained rustic, but a reliable friend.

Sergio Benvenuti is a shy seller of contracts for a Roman company of music, but because of his character he cannot find even a customer, so he asks for help from a fellow named Nadia.

During a sun-soaked Sicilian summer, aimless filmmaking undergrad and back-seat radical Tanino has a fling with Sally, a dreamy American tourist from an upper background. When summer ends, Sally flies back home, without ever reaching out. Clueless, a smitten Tanino decides to pay her a surprise visit under the pretense of returning a camera she left behind. But when he gets there, he quickly realizes the reality of America—and his relationship with Sally's—is far from the idealized version his small-town boy imagination conjured.

Serafino, a young and innocent shepherd, inherits a huge fortune. He immediately starts spending the entire sum on presents for his friends, causing the envy of his family.

Antonio and Peppino live in a small town in central Italy: Peppino is the barber, Totò is maintained by the rich but avaricious wife Teresa.

September 1943: in the general confusion a thief dressed as a priest and a sergeant exchange clothes and roles.

A man is hospitalized in a neurological clinic, suffering from amnesia. After seeing his photo in the newspaper, Mrs. Ballerini realizes that he is her husband and brings him home; then Mrs. Polacich recognizes him as her husband.

The third film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.

In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.

The film is about an old fashioned Italian with moral values of the 1930/40's , who has to find a wife in the modern, woman's liberated society of Australia of the 1960/70's.

Two silent movie actors escape from their film. Forced to find a way to survive in the real world, they will only cause troubles to the people they will meet along the way.

Eugene, a young nobleman, asks two penniless idlers to impersonate his noble relatives to help him marry Gemma, the daughter of an enriched cook.

Ernesto and Filippo, two high school teachers, couldn’t be more different: Filippo is a cheerful liberal who is constantly online. Handsome and youthful, he is a serial seducer on the social networks. Ernesto, instead is a stern conservative, rigorously computerless. He is probably the last person around who still has a first-generation cell phone and his teaching methods are very traditional. They used to be best friends but an unresolved fight kept them far apart, until the day fate intervened and they found themselves teaching at the same school. Their opposite viewpoints will soon and inevitably lead to a new clash. The internet will force them to deal with their past, which resurfaces in the shape of Nina, a young woman who conducts an experiment on them: Filippo must try to leave the world of Internet and Ernesto must try to enter it.