Western

In this rare, surviving one-reel Western from the pioneering Kalem company, Ruth Roland's fiancé, Dick, is falsely accused of robbing a bank, a dirty deed actually committed by one Black McCarty. Roland helps Dick escape and later supplies him with a weapon, but her irate father, the sheriff, must be put out of action -- by his own handcuffs as it turns out -- before the villain can be captured and peace restored.

After a series of disasters, nothing is left of human civillisation. All that remains are the people left behind who live in a post-apocalyptic no man's land. When Lil, a young lonely woman, finds a wounded stranger near her shelter, she has to decide if she'll help him or not. Does she remember what it's like to do something good for another human being?

Hair Trigger Stuff is a 1920 silent Western.

Hunting Day is a Korean cinema influenced student/indie short film made in Latvia. When after a poaching run a hunter is found dead in the forest, the hunter’s daughter and mentally ill son set out to find the truth behind his death and take revenge.

Crossing over a bridge, two men's paths meet in an unexpected way.

A drifter falls for the daughter of a rancher, an alcoholic old coot whose ranch is on some very valuable land. When the old man is found murdered, the drifter is accused of the crime. He didn't do it, but he has to find who the real killer is and clear his name.

Butterfly Range is a 1922 Western

A California bandito retires, only to find himself against a gang of vengeful vigilantes

Milo delivers a mysterious box to a woman through the untamed woods. Along his journey he encounters a crazed writer, a priest, and a bumbling thief. These characters guide him to the story's inevitable end.

No description available.

A lost silent Western short.

The hero impersonates a "spook" bandit and aids in bringing the band to justice.

Marion Wayne is a chaotic gunslinger traveling the country with his small gang. When he gets captured by the law he learns of an indifference of power within the law, and upon breaking out of prison he pursues a revenge arc to balance the system.

In 1878 a youthful bounty hunter by the name of Django sets out on a journy of redemption. every bounty could be his last but this doesn't stop the hero from capturing a tonic seller who has been giving people a mad virus.

During a wonderful exhibition of horsemanship and cowboy skill. "Dud," the foreman of the Diamond S ranch, is handed a telegram summoning him to Chicago to claim a fortune left him by an uncle. There he falls in love and marries the stenographer in the office of his attorneys, after a year he tires of the monotony of the life he leads and wires for the entire outfit to come to Chicago and wake the town up. They carry out instructions elaborately much to the embarrassment of Mrs. "Bud." After they leave, "Bud" embraces his wife and to her great relief, whispers, "Never again."

Little Willie's large imagination turns his family-home in the suburbs into the old Wild WEst when he puts on his cowboy suit, guns, holsters and hat, and goes out to play with his friend Archie.(No, this is not Archie Andrews.) The two boys have some desperate adventures, until Willie's mom calls him in to take his afternoon nap.

Dakota Wilson escapes from the Deer Lodge Penitentiary, and, after a period of quietness, secures a position on the Diamond S ranch, owned by Buffalo Watson. Ruth, the daughter of the ranch owner, one day sees Dakota's display of horsemanship, and the admiration thus aroused soon ripens into love, much against the protest of the family. Ruth's love for Dakota is increased by his heroic deed when he rescues her from the malignant attentions of a rushing steer whose anger is aroused by the flowing red handkerchief about her neck. Dakota, who is riding ahead of the cowboys on a round-up expedition, catches sight of the steer heading for Ruth, and, spurring his broncho into a break-neck speed, reaches the side of the steer, leaps upon its hack, and, fastening his muscular arms on the frenzied beast's horns, brings him to the ground. In the midst of the ovation given him by the cowboys, Dakota is nabbed by Sheriff Mathers, who begins to march him back to the Deer Lodge Penitentiary.

When a guinfighter drifts into a small Arizona town offering his gun for hire he finds what life is all about and that his has been wasted.

The Escott family, on their way to Montana, is attacked by Indians. Army Lt. Joe Lanier finds little Elsie Escott, the only survivor,

The Spirit of the Lake is a 1921 American silent short Western drama film produced by Cyrus J. Williams and distributed by Pathé Exchange. It was directed by Robert North Bradbury and stars Tom Santschi, Bessie Love, and Ruth Stonehouse.