Asteral

Dempsey and Makepeace is a British television crime drama made by London Weekend Television for ITV, created and produced by Ranald Graham. The leading roles were played by Michael Brandon and Glynis Barber, who later married each other on 18 November 1989. The series combined elements of previous series such as the mis-matching of British and American crime-fighters from different classes as seen in The Persuaders! and the action of The Professionals.

Dreaming of going pro, a young fighter struggles to be seen until an unexpected face-off lands him a shot at the big time — and a ruthless rivalry.

As a vicious drug dealer tries to overtake Marseille, a rogue police captain and his daredevil team welcome a new recruit with an agenda of her own.

An action show mixing kung-fu and class war.

Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.

Jack Regan, an unethical officer of the Flying Squad, uses unorthodox methods to pursue criminals with the help of his partner, George Carter.

S.W.A.T. is an American action/crime drama series about the adventures of a Special Weapons And Tactics team operating in an unidentified California city. A spin-off of The Rookies, the series aired on ABC from February 1975 to April 1976. Like The Rookies, S.W.A.T. was produced by Aaron Spelling and Leonard Goldberg.

A quarter-life crisis causes a young Chinese-American woman to drop out of college and go on a life-changing journey to an isolated monastery in China. But when she returns to find her hometown overrun with crime and corruption, she uses her martial arts skills and Shaolin values to protect her community and bring criminals to justice…all while searching for the assassin who killed her Shaolin mentor and is now targeting her.

A covert team of special forces operatives risk their lives on undercover missions around the globe, while their wives maintain the homefront, protecting their husbands' secrets.

Scarecrow and Mrs. King is an American television series that aired from October 3, 1983, to May 28, 1987 on CBS. The show stars Kate Jackson and Bruce Boxleitner as divorced housewife Amanda King and top-level "Agency" operative Lee Stetson who begin a strange association, and eventual romance, after encountering one another in a train station.

Humanity must resume its war against the Martians when they revive after decades of hibernation following their defeat in the 1950s. The fate of Earth may very well rest in the hands of a small yet courageous band: astrophysicist Harrison Blackwood, paraplegic computer wizard Norton Drake, microbiologist Suzanne McCullough and military man Paul Ironhorse.

A group of police officers in Paris use violence and intimidation to solve crimes.

France, 1504. A ruthless assassin goes on the run with his estranged daughter in his quest to protect her from deadly enemies and evil forces.

The Mod Squad was the enormously successful groundbreaking "hippie" undercover cop show that ran on ABC from September 24, 1968, until August 23, 1973. It starred Michael Cole as Pete Cochren, Peggy Lipton as Julie Barnes, Clarence Williams III as Linc Hayes, and Tige Andrews as Captain Adam Greer. The executive producers of the series were Aaron Spelling and Danny Thomas. The iconic counter-culture police series earned six Emmy nominations, four Golden Globe nominations plus one win for Peggy Lipton, one Directors Guild of America award, and four Logies. In 1997 the episode "Mother of Sorrow" was ranked #95 on TV Guide's 100 Greatest Episodes of All Time.

Hunter is an American police drama television series created by Frank Lupo, and starring Fred Dryer as Sgt. Rick Hunter and Stepfanie Kramer as Sgt. Dee Dee McCall, which ran on NBC from 1984 to 1991. However, Kramer left after the sixth season to pursue other acting and musical opportunities. In the seventh season, Hunter partnered with two different women officers. The titular character, Sgt. Rick Hunter, was a wily, physically imposing, and often rule-breaking homicide detective with the Los Angeles Police Department. The show's main characters, Hunter and McCall, resolve many of their cases by shooting dead the perpetrators. The show's executive producer during the first season was Stephen J. Cannell, whose company produced the series.

In 2005, in a French suburb, a drug bust shatters the network of a family of drug dealers. Driss, a brilliant student, is forced to take over the family business, setting off on a downward spiral. Facing him is William, an ambitious and idealistic young cop who will do everything in his power to stop him. Their relentless struggle will take them from the suburbs to the Ourika valley.

Saïd leads a team of young elite cops and will have to find his place within his group while preventing a gang war from breaking out between Eric's family and that of the El Hassani brothers.

Freddie Jackson is released from prison in 1984 having served a four-year sentence for armed robbery. His wife Jackie, who has been waiting for him on the outside in the mistaken belief that that he wants to go straight, soon finds herself disappointed: Freddie is in fact raring to get back into the game and has set his sights on becoming top dog in the East End underworld.

A young CIA operative, Annie Walker, is mysteriously summoned to headquarters for duty as a field operative. While Annie believes she's been promoted for her exceptional linguistic skills, there may be something or someone from her past that her CIA bosses are really after. Auggie Anderson is a CIA military intelligence agent who was blinded while on assignment and is Annie's guide in this world of bureaucracy, excitement and intrigue.

Before The Terminal List, Navy SEAL Ben Edwards finds himself entangled in the black operations side of the CIA. The deeper Ben goes into the 'gray', the harder it will become to not give himself over to his darker impulses. Every man has two wolves inside him – light and dark – fighting for control. Which wolf will Ben Edwards feed?