7 Deadly Mother-in-Laws

Jim is the typical all-American guy — a macho "everyman" — with a soft spot for his beautiful wife and children. Jim's boyish bravado and humorous antics keep a certain level of turmoil in their home, but there's never a doubt that this "opposites attract" couple are in their marriage for keeps!

This iconic family—Dan, Jackie, Darlene, Becky and D.J.—grapples with parenthood, dating, an unexpected pregnancy, financial pressures, aging and in-laws in working-class America.

On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.

A satirical inversion of the ideal of the perfect American nuclear family, they are an eccentric wealthy family who delight in everything grotesque and macabre, and are never really aware that people find them bizarre or frightening. In fact, they themselves are often terrified by "normal" people.

The misadventures of a divorced mother, two teenage daughters, and their new building superintendent in Indianapolis.

A family finds their lives turned upside down when a young, street-smart grifter shows up on their doorstep, claiming to be a distant relative.

Archie Bunker, a working class bigot, constantly squabbles with his family over the important issues of the day.

Life’s good for deliveryman Doug Heffernan, until his newly widowed father-in-law, Arthur, moves in with him and his wife Carrie. Doug is no longer the king of his domain, and instead of having a big screen television in his recently renovated basement, he now has a crazy old man.

A dysfunctional family tries to help each other navigate the modern dating scene. Recent divorcee Tara and her bachelor brother coach each other through the crazy world of dating (on-line and off), while living under the same roof again for the second time and raising her teenage daughter.

Half & Half is an American sitcom that aired on UPN from September 23, 2002, to May 15, 2006. The show focuses on the lives of two paternal half-sisters in their twenties who were estranged throughout their childhood, and are finally developing a close relationship. The series is set in San Francisco. It was the second-most-watched show on UPN's Monday night line-up and fourth overall on the network. The show was on The CW's first draft line-up in March 2006, but due to several circumstances—including The CW's contractual obligation to pick up Reba, the uncancelling of All of Us, and the pick-up of the Girlfriends spin-off The Game—Half & Half was left off the final Fall 2006 schedule and ended production. The series has aired in reruns on Global TV in Canada, Trouble in the UK and in local syndication in the United States. It also airs in the United States on TV One.

A housewife sits on the stoop of her apartment building in a black neighborhood of Washington, D.C., and discusses all manner of things with her neighbors.

Simon Amstell stars as a fictionalised version of himself, a TV presenter who quits his job, leading to family drama, particularly with his mother, Tanya, and her boyfriend, Clive, all unfolding at his grandmother's house.

Welcome to the Loud House, where life can get pretty crazy. One boy, TEN girls?! Lincoln Loud wouldn’t change it for the world!

Two siblings share their Friday night dinners at their parents home and, somehow, something always goes wrong.

The heartwarming yet uncomfortable relationship between three adult siblings: one in the 1%, one middle-class and one barely holding on.

When Dave and Vicky were growing up, their parents had it easy. Back then, there were no “time-outs,” no one had any “boundaries,” and “parenting” wasn’t even a word. Parents had no idea what their kids were really up to and ignorance truly was bliss. Now Dave and Vicky have teenagers of their own, and anything their kids might even think about doing, Dave and Vicky have already done… at least twice.

Bread is a British television sitcom, written by Carla Lane, produced by the BBC and screened on BBC1 from 1 May 1986 to 3 November 1991. The series focused on the devoutly-Catholic and extended Boswell family of Liverpool, in the district of Dingle, led by its matriarch Nellie through a number of ups and downs as they tried to make their way through life in Thatcher's Britain with no visible means of support. The street shown at the start of each programme is Elswick Street. A family called Boswell had also featured in Lane's earlier sitcom The Liver Birds and Lane admitted in interviews that the two families were probably related. Nellie's feckless and estranged husband, Freddie, left her for another woman known as 'Lilo Lill'. Her children Joey, Jack, Adrian, Aveline and Billy continued to live in the family home in Kelsall Street and contributed money to the central family fund, largely through benefit fraud and the sale of stolen goods.

A multigenerational, working-class family experience life's struggles with faith, love and, most importantly, humor. Curtis, aka 'Pops', the uncle and head of the household, has house and home turned upside down when an unexpected event forces his nephew, CJ, and CJ’s kids to move in, putting three generations under one roof. This chaotic living situation takes its toll on cranky Pops, who is reluctant to have his routine disturbed. In addition to CJ’s family, Pops and Ella’s son, Calvin, a wise-cracking, broke college student, hangs out at home, making it impossible for any peace and quiet. It soon becomes evident just how wide the gap is, as the family tries to find a way to coexist through all of life’s hilarious ups and downs.

Yankerville's puppet citizens -- voiced by celebrities and stand-up comedians -- make real calls to real people, whether they like it or not. They make all the crank phone calls you wish you'd made when you were a kid.

A family man struggles to gain a sense of cultural identity while raising his kids in a predominantly white, upper-middle-class neighborhood.