Murder and the Android

A Canadian-produced fantastic anthology series scripted by famed science-fiction author Ray Bradbury. Many of the teleplays were based upon Bradbury's novels and short stories.

Two federal agents from two different continents, and two different mindsets, must work together to investigate when wreckage from a destroyed alien spacecraft has mysterious effects on humankind.

After Earth is ravaged by a great religious war, an atheistic android architect sends two of his creations, Mother and Father, to start a peaceful, godless colony on the planet Kepler-22b. Their treacherous task is jeopardized by the arrival of the Mithraic, a deeply devout religious order of surviving humans.

In a parallel present where the latest must-have gadget for any busy family is a 'Synth' - a highly-developed robotic servant that's so similar to a real human it's transforming the way we live.

Set fifteen years in the then-future year 1983, the series tells the tale of the crew and passengers of a sub-orbital transport ship named Spindrift. In the pilot episode, the Spindrift is en route from Los Angeles to London, on an ultra-fast sub-orbital flight. Just beyond Earth's boundary with space, the Spindrift encounters a magnetic space storm, and is dragged through a space warp to a mysterious planet where everything is twelve times larger than on Earth, whose inhabitants the Earthlings nickname "the Giants". The Spindrift crash-lands, and the damage renders it inoperable.

When the 12 Colonies of Man are wiped out by a cybernetic race called the Cylons, Commander Adama and the crew of the battlestar Galactica lead a ragtag fleet of human survivors in search of a "mythical planet" called Earth.

Television networks battle one another in an unrelenting ratings war. Whoever controls the airwaves controls the dystopic world in which they broadcast. So when Network 23's star reporter, Edison Carter, uncovers a deadly secret that could shake up the station's dominion over its viewers, the only option is to eliminate Carter before he can make his story public. After Carter's "accident," his mind is uploaded to create the world's first self-aware, computer-generated TV host — Max Headroom! But will Max bow to his creators? Or will he be the key to his human alter ago bringing down a network superpower?

The Time Tunnel is a 1966–1967 U.S. color science fiction TV series, written around a theme of time travel adventure. The show was creator-producer Irwin Allen's third science fiction television series, released by 20th Century Fox and broadcast on ABC. The show ran for one season of 30 episodes. Reruns are viewable on cable and by internet streaming. A pilot for a new series was produced in 2002, although it was not picked up.

A demented serial killer taunts a retired police detective with a series of lurid letters and emails, forcing the ex-cop to undertake a private, and potentially felonious, crusade to bring the killer to justice before he can strike again.

Tales of science fiction, fantasy and the occult, exploring humanity's hopes, despairs, prides and prejudices in metaphoric ways. Next stop ahead The Twilight Zone.

After a plane carrying three Agents crashes in the Himalayas, they are rescued by an advanced civilisation secretly living in Tibet who grant them enhanced versions of the ordinary five senses, and intellectual and physical abilities.

Anthology series of composed of distinct story episodes, sometimes with a plot twist at the end, with occasional recurring story elements that were often tied together during season-finale clip shows.

An epic adventure begins when a massive sinkhole opens in the middle of Los Angeles, pulling hundreds of people and buildings into its depths. Those who fell in find themselves in a mysterious and dangerous primeval land, where they have no choice but to band together to survive. Meanwhile, the rest of the world desperately seeks to understand what happened. In the search for answers, one family torn apart by this disaster will have to unlock the secrets of this inexplicable event to find a way back to each other.

Joan Girardi has begun acting a little strange since her family moved to the city of Arcadia. No one knows that various people keep introducing themselves as God, and then giving the teenager specific directions to do things. Unsure of what God wants, and if she's even sane, Joan tentatively begins to follow God's cryptic directives, all the while trying to retain a "normal" teen-aged existence.

Starman is an American science fiction television series, starring Robert Hays and Christopher Daniel Barnes and continuing the story from John Carpenter's 1984 film. The series ran on the ABC network from September 19, 1986 to May 2, 1987. The series was an adaptation and sequel to a movie of the same name produced in 1984.

Set in a remote Alaskan town that has been overrun by paranormal forces, the series focuses on local outcast Roman Mercer who must overcome the town’s prejudices and his own personal demons if he’s to harness his repressed psychic powers and save everyone from the mass haunting that’s threatening to destroy them all.

Inspired by the Internet’s “404” error code, Dimension 404 aims to evoke that 3 AM feeling of wandering onto the weird side of the web, stumbling upon stories that cannot be explained in the world that we know.

FBI Special Agent Olivia Dunham, brilliant but formerly institutionalized scientist Walter Bishop and his scheming, reluctant son Peter uncover a deadly mystery involving a series of unbelievable events and realize they may be a part of a larger, more disturbing pattern that blurs the line between science fiction and technology.

The Lone Ranger is an American western television series that ran from 1949 to 1957, starring Clayton Moore with Jay Silverheels as Tonto. The live-action series initially featured Gerald Mohr as the episode narrator. Fred Foy served as both narrator and announcer of the radio series from 1948 to its finish and became announcer of the television version when story narration was dropped there. This was by far the highest-rated television program on the ABC network in the early 1950s and its first true "hit".

The people of Arcadia, Missouri are forever changed when their deceased loved ones suddenly start to reappear.