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Sueños y Caramelos is a 2005 Mexican telenovela that starred Nashla Aguilar as a little girl who lives in an almacen where she assembles a Maniqui or Mannequin, which comes to life and becomes like a mother to her. Remake of La Pícara Soñadora

Palabra De Mujer is a telenovela remake of El Amor Tiene Cara De Mujer was made by Televisa, starring Edith González, Yadhira Carrillo, Ludwika Paleta, and Lidia Ávila. The telenovela, a production of José Alberto Castro, premiered October 22, 2007 and ended on May 9, 2008 in El Canal de las Estrellas.

A Mexican telenovela revolving around Marina, a blind woman who because of her disability has developed a great sensitivity.

¡Válgame Dios! is a Spanish-language Venezuelan telenovela written by Mónica Montañéz for Venevisión. Sabrina Seara and Eduardo Orozco star as the main protagonists while Ricardo Alamo, Carlota Sosa and Raquel Yanez star as the main antagonists.

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.

The adventures of Vicenta Acero, the feared coyote who now leads the dynasty of illicit dealings once under the control of her father.

Acorralada is an American telenovela produced by Venevisión. Univision aired Acorralada from January 2007 to October 2007 on weekday afternoons at 2 pm central. It was rebroadcast in late 2011 through April 2012 on Univision's sister network, Telefutura. It was filmed in Miami, Florida, and lasted about 187 episodes. It is the second long-running telenovela that Venevisión Productions has produced without its former co-producer Fonovideo.

In the fictional small town of Avonlea, Prince Edward Island, in the early 20th century, 10-year-old Montreal heiress Sara Stanley is sent by her wealthy father to live with her two maiden aunts, Hetty and Olivia King, to be near her late mother's side of the family.

A seemingly perfect interracial first family becomes the White House's newest residents. But behind closed doors they unleash a torrent of lies, cheating and corruption.

Story of love between Marimar and Sergio. Sergio is from a wealthy family, and Marimar lives with her poor grandparents in a hut in front of the ocean.

Maricruz and Beatriz are school friends; Beatriz comes from a well-to-do family, whereas Maricruz belongs to a lower socioeconomic stratum. Both are on the verge of turning fifteen and are preparing to leave childhood behind. Issues within their family and social environments affect them directly; for Beatriz, her parents' marital breakdown becomes the primary obstacle to overcome, compounded by a sexual awakening fraught with taboos and misinformation. Meanwhile, Maricruz must contend with her mother's overprotectiveness and prejudices, as well as the tension caused by a neighbor who is obsessed with her.

Mariana lives with her father, Atílio, and is motherless. He is a very powerful man, and he keeps a big secret: Mariana is not his biological daughter, Atílio has two sisters: Isabel, the oldest, a good and caring woman, who raised Mariana and loves her as if she were her own daughter; Márcia, the youngest, arrogant and very vain, has a cold heart, has never fallen in love with anyone and always mistreated Mariana, until a boy called Inácio Lugo Navarro arrives in the city, very attractive, who uses a false name and is looking for his roots and revenge.

Worlds collide when a vengeance-obsessed young woman from the other side of the tracks captures the attention of two well-off friends.

Teresa Chavez is a young woman with an obsession for money and ambition. Despite her beauty and the fact that she was raised in the bosom of a loving family, she is resentful; her one desire is to leave her humble but poor neighbourhood.

Sofía Peralta-Avitia Villaseñor, a successful businesswoman and great mother, who feels lonely in her marriage to Gonzalo Balmori-Ricci Nava. At the same time, her daughter, Bárbara Balmori-Ricci Peralta-Avitia, and her young bodyguard, Salvador "Chava" Reyes Encino, will transform their rebelliousness into passion. But none of them know that the evil, ambitious people around them will try to meddle in their paths on their road to love.

Piel de otoño is a Mexican telenovela that was produced by Televisa and broadcast on El Canal de las Estrellas in Mexico from 9 May 2005 through 23 September 2005 in Mexico, and from October 10, 2005, through February 17, 2005, in the United States. Starring Laura Flores and René Strickler as the series' protagonists, the show tells the story of Lucía Villarreal de Mendoza, a woman who seeks refuge from her husband and children's abuses in the friendship of a stranger on the Internet, who signs his messages only as "wind". Piel de otoño is a remake of the 1986 Televisa telenovela Cicatrices del alma. The program aired weekdays at 5 pm for twenty weeks.

Rhyme and her friends - known by their 'ship name, "The Chicken Girls" - have been dancing together forever. But this year, everything's changing.

Mariana Cantú and Silvana Del Valle are twin sisters who were separated at birth. After 11 years, the twins meet again and Silvana proposes to Mariana to be part of 'Cómplices al Rescate'. Together they will learn about friendship and love.

Danna Paola stars as Patito, Eleazar Gómez as Mateo, Violeta Isfel and Cynthia Klitbo, play antagonist roles as Antonella and Bianca. The telenovela features adult protagonists also, René Strickler and Vanessa Guzmán. It first aired on Sunday, 8 March 2009, as the first telenovela to debut on a Sunday in Mexico. After a year of success, becoming a major hit in Mexico, especially among children, its final episode was also on a Sunday, 7 March 2010.

When Refugio and her three sons—Patricio, Edmundo, and Ignacio—are forced out of their home, a twist of fate brings them to Mexico City, where they begin a new life. Eighteen years later, they are settled in a small apartment in a working-class neighborhood. Refugio holds a modest job; although she suffers from serious vision problems, she neglects her own health to attend to her sons' needs. Patricio is studying law and dreams of a comfortable, prosperous future; his mother admires him for his charitable nature. Meanwhile, Edmundo begins courting Lucero—unintentionally hurting Ignacio, who secretly loved her—while Refugio tries in vain to make Patricio understand that he will never be happy with Olga.