Conde Vrolok

Inocente de Ti is a Miami-based 130 episode telenovela that first aired on the Univision network in 2005. It features Camila Sodi, Valentino Lanús, and Helena Rojo.

Une jeune fille issue de la haute société dont la famille est ruinée tombe amoureuse de José Luis, un jeune marin pauvre.

Fuego en la sangre is a telenovela that began transmissions on January 21, 2008, through Mexico's Canal de las Estrellas network. Starring Adela Noriega, Eduardo Yáñez, Diana Bracho, and Guillermo García Cantú. It is the Mexican remake of the Colombian soap operas Las Aguas Mansas and Pasion de Gavilanes. The theme song called "Para Siempre" is sung by Vicente Fernández. The telenovela received TVyNovelas Award for Best Telenovela, in 2009.

Victoria Balvanera owns a vast expanse of land and a prestigious advertising agency. She is married to the landowner Nelson Brizz. Following an attempted kidnapping, she finds love with José Ángel—her rescuer and the estate's new foreman.

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.

La Tormenta is a Colombian 2005 telenovela produced by RTI Colombia and broadcast by Telemundo and Caracol TV, starring Natalia Streignard and Christian Meier. Maria Teresa is a woman accustomed to living in the city, but she has to move to live at ‘La Tormenta’, her family’s estate, to try to save her family from financial ruin. The family is facing economic problems and she thinks La Tormenta will save them from bankruptcy.

¡Válgame Dios! is a Spanish-language Venezuelan telenovela written by Mónica Montañéz for Venevisión. Sabrina Seara and Eduardo Orozco star as the main protagonists while Ricardo Alamo, Carlota Sosa and Raquel Yanez star as the main antagonists.

Une équipe de chercheurs scientifiques étudie les rapports de phénomènes paranormaux. Un format procédural qui suit un petit groupe de personnages sur les dossiers qui leur sont assignés, les enquêtes sont librement inspirées d'une organisation et d'événements réels.

Rod Serling raconte une anthologie d'histoires fantastiques, d'horreur et de science-fiction tirées d'un décor ressemblant à un musée macabre. Une œuvre d'art effrayante sert de lien de connexion entre les histoires.

Emiliano, a wealthy Mexican businessman, is ripped off by his friends and partners. Hidden in Bogotá, he receives help from Rosario, a mariachi singer. She does not know Emiliano’s background and that he is wanted by the police of two countries and by a criminal organization. With a new name and personality, he adapts well to his new life as a mariachi band member and finds in Rosario the love of his life. But he is afraid his secret will tear them apart. He needs to clear his name and resolve his case to avoid that fate. Meanwhile, he often finds his love tested and vulnerable to several rivals, but Rosario always trusts that he has been honest with her.

Horror anthology series, with each episode comprising two half-hour stories dealing with themes of the supernatural or simply the dark side of human nature.

Maricruz and Beatriz are school friends; Beatriz comes from a well-to-do family, whereas Maricruz belongs to a lower socioeconomic stratum. Both are on the verge of turning fifteen and are preparing to leave childhood behind. Issues within their family and social environments affect them directly; for Beatriz, her parents' marital breakdown becomes the primary obstacle to overcome, compounded by a sexual awakening fraught with taboos and misinformation. Meanwhile, Maricruz must contend with her mother's overprotectiveness and prejudices, as well as the tension caused by a neighbor who is obsessed with her.

Trois jeunes filles s'aventurent dans une grotte un soir de pleine lune et se retrouvent transformées en sirènes et dotées de pouvoirs magiques.

Griffin Campbell et sa famille emménagent dans une nouvelle ville. Ils souhaitent faire d'un hôtel abandonné un lieu de villégiature animé. L'établissement serait hanté par le fantôme d’une jeune fille disparue il y a plusieurs décennies. Il va découvrir un portail secret qui lui permet de remonter dans le temps...

Mariana Cantú and Silvana Del Valle are twin sisters who were separated at birth. After 11 years, the twins meet again and Silvana proposes to Mariana to be part of 'Cómplices al Rescate'. Together they will learn about friendship and love.

Le Saint Gregory est sans nul doute le plus select des palaces de San Francisco. En bon directeur adjoint, Peter McDermott est au petit soin avec ses clients huppés, dont il cerne très vite les personnalités. Il est assisté par la jolie brune Christine, dont il est amoureux. Autour de ce tandem, Mark Danning est responsable des relations publiques, Dave et Megan Kendall occupent, quant à eux, respectivement les postes de groom et hôtesse d’accueil. En haut de la hiérarchie, la vieille Victoria Cabot veille à la bonne conduite de l’affaire de sa belle-sœur, Laura Trent. Et chaque jour, politiciens, princesses, jeunes mariés et vieux couples viennent passer un séjour de rêves, emmenant avec eux leurs petits ennuis et grands tracas...

Un groupe d’adolescents découvre lors d’une soirée que leurs parents se livrent à un sacrifice humain dans la cave de leur maison... Derrière leur association appelée PRIDE se cache en réalité une secte aux objectifs bien mystérieux. Mais le petit groupe d’ado va également faire une étrange découverte : chacun est doté de super-pouvoirs !

La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.

Two very different families live in the village of Santa Lucía who are involved in a whirlwind of passion, pain, and revenge. The rivaling families are the Mendozas and the Alcocers. Severiano Mendoza and Candela Santana are a rich and powerful marriage who live at the ranch, "Las Ánimas", along with their young son, Cristóbal. Roberta and Raymundo Alcocer also have a daughter named Alonza; however, they do not live with the same luxuries as the Mendoza family, which causes frustration and resentment in Roberta as nothing is enough to fill the inferiority complex that follows her like a shadow.

L'histoire d'amour entre une jeune femme et un millionnaire est entravée quand ils découvrent que la mère de la jeune fille est accusé du meurtre du père de son amant.