Arman Parvez Murad

Tiger works on ship building on the opposite side of Sadarghat. The identity of street child Tiger is that he lives in the passenger camps, boats, ships and warehouses of Sadarghat, so the old Sadarghat is his home. He usually walks on both sides of the ghat and a beautiful girl named Laili lives here. Tiger falls in love with Laili later, and Laili rejects him. Since then, Tiger has not left Laili behind. Laili gets annoyed with Tiger's pain. Thus, the story of Tiger in Sadarghat in begins.

Set in 16th century Eastern Bengal, the film is inspired by the life of Chandrabati, Bengal`s first feminist poet. The story follows her falling in love with another poet, Jayananda, who later leaves her for another woman. The betrayal pushes Chandrabati to renounce marriage, confine herself inside a Shiva temple and start rewriting the Ramayana - an act which eventually led to her becoming a historic figure.

Shongram (struggle) is a romantic drama set during the 1971 liberation struggle of Bangladesh. A British Bengali on his death bed is interviewed by a daring London reporter, where four decades later, Karim is able to recall and finally share his past. We are transported to 1971, when Bangladesh was still East Pakistan and a young Karim (a Muslim) is in love with a beautiful Asha (a Hindu). The peaceful village life is suddenly interrupted by war and Karim must grow up fast to survive in an era where mass killings and abduction was common. He must also carry out his duty and revenge before he can finally search for Asha.

The story of the Bangladesh Liberation War in 1971 as seen through the eyes of a young boy.

The story of the film revolves around Shaan, who, after passing the Bangladesh Civil Service examinations, joins the police force to serve the nation. He is an honest and courageous police officer.

The film "Chiranjeev Mujib" is based on the "unfinished autobiography" of Father of the Nation Bangabandhu Sheikh Mujibur Rahman, setting the stage for Sheikh Mujib to become the leader of the people from 1949 to 1952 and his role in the great language movement.

A power station clerk maneuvers a blackout every night for a secret rendezvous; a businessman caught in a limbo beside an up-class escort; a travel agent deliberately delays his client’s visa; a girl clandestinely trains herself for a race; a plumber gets entry into a private chamber of an actress he is obsessed with– all are interwoven in a thread of love and lust.

Priotomeshu (My Darling) is a Bangladeshi film by director Morshedul Islam.

During the Liberation War of Bangladesh, a college teacher who shelters his friend's cousin fall in love with the girl.

During Bangladesh's Liberation War against Pakistan in 1971, in a remote village Rabeya and Rokeya, two orphaned young sisters, live in the religiously conservative household of their uncle Emdad Kazi, a rich kulak and a local Muslim League leader.

Based on 1947 short story of the same name by Hasan Azizul Haque.

Intertwined story of a group of friends living together and their romantic complications.

After falling in love with an extremely idealist youth Tajul, Shanu ignored her luxurious life and left her home town, leaving behind just a short note with her new address. Shimul, after a long time, could manage to find Shanu out in a corner of an old township with cue of that note wherein he invents a new proletarian Shanu Wherein Shanu and Tajul are giving their everything, every breath and working really hard to run the family in a conscientious way. We cannot see those struggling breath with bare eyes. We, probably, can elucidate these struggling breaths as precious love of life. The name of the prehistoric story of this breath is “Myth of Love”.

An arrogant millionaire falls in love with a girl who suffers from dementia.

Poor oil miller decides to use his daughter-in-law to spin the treadle due to lack of ox.

Backspace is a Bangladeshi television fiction written by Mehrab Zahid and created by Uday Bangali, which aired on Channel 9.

Several newcomers in the film industry who fall victim to deception.