Paul Morand

Inflamed by his readings of chivalric novels, Don Quixote, a knight with a sad face, accompanied by Sancho Panza, a peasant steeped in common sense, decides to set off across the world in search of improbable adventures.

A home movie version of the Dumas play. A young woman becomes a courtesan and tragedy befalls her. Appearances are made by many socialites of 1920s Paris and New York.

Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.

Art collector Pierre Niox rushes through life, lives a frantic life, does everything in full speed -- searching for and acquiring works of art or real estate, marrying or even dying -- and in total disregard for any kind of morality. His misdeeds finally turn on him and destroy him.

Meg, a young ballet student, idolizes the school's top ballerina, the shallow Ariane Bouchet. Meg is distressed when she learns visiting prima ballerina Darina rather than Bouchet will play the lead in the school's production of "Swan Lake." So on opening night, Meg arranges an accident which nearly kills Darina and ends her dancing career. As a result, Bouchet becomes a star, while Meg is torn with guilt. This is a remake of the 1937 French film "Ballerina", based on a short story by Paul Morand.

This documentary is a portrait of Proust composed of recollections by those who knew him. Intercut with reading from his works.

An antiques dealer misses out on some of life's pleasures because of his obsession with doing everything fast.

As its title indicates, La Mort du Cygne is set in the special world of the ballet. Young dance student Rose Souris idolizes her teacher-role-model Mademoiselle Beaupré, and will do anything to help Mademoiselle Beaupré further herself. Thus, when rival ballerina Nathalie Karine lands a much-coveted role, Rose arranges an accident causing Nathalie to break her leg. The girl comes to regret her rash behavior when it appears as though Nathalie will never dance again.

A wealthy young businessman consecutively falls in love with a classy English woman (Pearl), a Russian sculptress (Athalia), and a naive working-class girl (Lucie).

Commandant Gardefort, horseman at the Cadre Noir Riding Academy in Saumur, having given up hope of promotion decides to retire. To fill his time until then, he buys a mare, Milady, and in two years trains her to the highest dressage haute ecole standards. But he finds himself in dire financial straits over his divorce, and is obliged to sell the mare. She is bought by a rich Belgian banker, who transforms Milady into a circus horse. Visiting him, Gardefort resolves the situation in the only way he sees fit.

Therese Duverne (Viola Dana) is bored with her even-tempered husband, Edmond (Adolphe Menjou). Isabelle Fevre (Gale Henry) suggests that Edmond go to the bicycle races and stay out all night. Then she takes Therese there and introduces her to manly Petit Mathieu, one of the racers (Maurice B. Flynn). Since he has just quarreled with his sweetheart, Lea (Jetta Goudal), he is glad to have Therese's attention and offers to run away with her after he wins the six-day race. Lea, meanwhile, is spending her time with Edmond. Therese eventually decides she doesn't care for brutes like Mathieu, and Edmond gains a temper and wins his wife back. Lea and Mathieu are reunited, while Isabelle goes back to helping her own alcoholic sweetheart, Igor (Raymond Griffith), break into the movies.

"In Search of Marcel Proust" is a 1962 literary documentary directed by the Italian poet Attilio Bertolucci. It serves as a biographical and critical journey into the world of Marcel Proust, blending readings from his masterpiece, In Search of Lost Time, with rare filmed testimonies from those who knew him personally, including his housekeeper Céleste Albaret and friends like Jean Cocteau and François Mauriac.