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Constance Worth

Constance Worth

Acting

Biography

From Wikipedia, the free encyclopedia Constance Worth (also known as Jocelyn Howarth) (19 August 1911 – 18 October 1963) was an Australian actress who became a Hollywood star in the late 1930s. As Jocelyn Howarth, she experienced success in Ken Hall's films The Squatter's Daughter (1933) and The Silence of Dean Maitland (1934). Cinesound put her under an 18-month contract and paid for her to tour Australia as their rising star. Ken Hall claimed Howarth's first screen test showed "light and shade, good diction, no accent and (that) she undoubtedly could act with no sign of the self-consciousness which almost always characterised the amateur." In late 1933, Smith's Weekly raved enthusiastically about the young actress; "Young Joy Howarth who leapt into publicity when she became the Squatter's Daughter a few months ago, is just the big hit nowadays...." In April 1936, she sailed for the United States and Hollywood. After six months of unsuccessful effort, including a near-fatal incident with a gas stove in her flat, she signed a contract with RKO Pictures, taking the leading female roles as Constance Worth, in China Passage and Windjammer. The change of name was related to her first role with established Hollywood actor Vinton Hayworth. After Windjammer, RKO offered her no more films. Her next role was in Willis Kent's 1938 exploitation quickie, The Wages of Sin, playing a young woman lured into prostitution. For the next 12 years, she appeared in a mix of leading, supporting, and uncredited roles in B films. In mid-1939, she returned to act on stage in Australia, but went back to the U.S. before the end of the year. In 1941, she appeared in an uncredited minor role in Alfred Hitchcock's Suspicion, and in the same year, a leading role in the gangster B film Borrowed Hero. Her last film was a minor role in the 1949 Johnny Mack Brown Western Western Renegades. Throughout her career and as late as 1961, publicity in Australia repeatedly suggested she was on the verge of signing a major studio contract again. This did not happen.

Known For

Suspicion
7.1

A sheltered heiress falls for a charming playboy and elopes with him, but soon discovers his gambling vice and mounting debts. As his lies deepen and those around them meet mysterious ends, she begins to suspect that her husband’s affection may conceal a deadly motive—and that she could be his next victim.

Suspicion

1941
Cover Girl
6.4

A nightclub dancer makes it big in modeling, leaving her dancer boyfriend behind.

Cover Girl

1944
The Set-Up
7.3

Expecting the usual loss, a boxing manager takes bribes from a betting gangster without telling his fighter.

The Set-Up

1949
Deadline at Dawn
6.2

A young Navy sailor has one night to find out why a woman was killed and he ended up with a bag of money after a drinking blackout.

Deadline at Dawn

1946
Dillinger
5.9

The life of American public enemy number one who was shot by the police in 1934.

Dillinger

1945
Dangerous Blondes
6.3

Mystery writer Barry Craig (Allyn Joslyn) and his wife Jane (Evelyn Keyes), prefer solving crimes rather than writing about them. They get a chance when killings plague the fashion photography studio of Ralph McCormick (Edmund Lowe). After his secretary, Julie Taylor(Anita Louise) reports an attempt to murder her there, Erika McCormick's (Ann Savage) Aunt Isabel Fleming (Mary Forbes) is stabbed and the evidence points to Madge Lawrence (Bess Flowers) an older model and an apparent suicide. Police Inspector Joseph Clinton (Frank Craven) declares the case closed...but then Erika is murdered.

Dangerous Blondes

1943
Windjammer
5.7

The fourth and last of the George A. Hirliman-produced films starring George O'Brien (preceded by "Daniel Boone", "Park Avenue Logger" and "Hollywood Cowboy") that were distributed by RKO Radio. Hirliman sold O'Brien's contract to RKO, which then produced 18 series westerns starring O'Brien that ended when O'Brien went into the Navy at the outbreak of WW II. Long-time (past and future) O'Brien director David Howard served as Hirliman's Associate Producer on this film. "Windjammer" finds O'Brien as a subpoena server ordered to serve a subpoena on Brandon Evans (The Commondore) for a senate inquiry or lose his job. Posing as a playboy, he boards the Commodore's yacht during a yacht race, and the yacht is wrecked by a gun-running windjammer commanded by Captain Morgan (William Hall.) All hands are picked up by the windjammer, including the Commodore's daughter (played by Constance Worth) and put to work as galley slaves.

Windjammer

1937
The Crime Doctor’s Strangest Case
5.2

The Crime Doctor gets involved in the case of the poisoning of a wealthy industrialist.

The Crime Doctor’s Strangest Case

1943
China Passage
6.3

Americans Tommy Baldwin and Joe Dugan are hired to transport a fabulous diamond from Shanghai to San Francisco. They will be paid handsomely on success or killed on failure. The diamond is stolen as they take possession of it.

China Passage

1937
Angels Over Broadway
5.9

Small-time businessman Charles Engle is threatened with exposure for embezzling $3,000 for his free-spending wife. Deciding on suicide, he scribbles a note, stuffs it in his pocket and goes for one last night on the town. He is pulled into a poker game by conman Bill O'Brien and singer Nina Barone, but when they discover the dropped note, they resolve to turn the tables, get Engle his $3,000 and save his life.

Angels Over Broadway

1940
That's Sexploitation!
5.9

Before the advent of modern-day pornography, a vast and rapidly-paced world of smut peddling was the norm, complete with its own secret history. This documentary reveals the untold story of American cinema's gloriously sordid cinematic past. Starting in the 1920s, expert exploiteer David F. Friedman and Henenlotter navigate us through more than five salacious decades of skin flicks. It's the true story of dirty movies, traced in elegant detail from the bizarre locations where these nudie shorts were screened to the ongoing legal battles fought by their promoters. And of course there are the stories of the innovators themselves, people who often risked their own security and livelihood to make these films, believing in some way that what they were doing wasn't a 'bad' thing - and that it could rake in some dough.

That's Sexploitation!

2013
Frenchman's Creek
5.6

An English lady falls in love with a French pirate after he kidnaps her from her ancestral home on the coast of Cornwall and sweeps her off her feet into a world of adventure.

Frenchman's Creek

1944
Crime Doctor
6.4

Robert is found beside the highway with a head injury and amnesia. His amnesia motivates him to become a Physician and the country's leading criminal psychologist.

Crime Doctor

1943
City Without Men
5.7

A young woman's husband has been imprisoned for a crime he didn't commit. In order to be near him to try to help him get his sentence overturned, she moves into a boardinghouse near the prison whose residents are the wives of inmates.

City Without Men

1943
The Kid Sister
7.0

A madcap comedy about a kid sister who tries to steal her older sister's boyfriend. Her plan involves joining forces with a burglar to rob the unfortunate suitor's home.

The Kid Sister

1945
Mystery of the White Room
9.0

A doctor and nurse solve an operating-room murder.

Mystery of the White Room

1939
Sensation Hunters
4.8

A naive young girl, looking to escape from a bad family situation, falls in love with a man who turns out to be a cad, and leads her down the road to ruin.

Sensation Hunters

1945
Borrowed Hero
5.5

A struggling lawyer is named as special prosecutor in a racketeering case.

Borrowed Hero

1941
G-men vs. the Black Dragon
6.7

Japanese spies attempt to subvert America's war effort; G-Men attempt to thwart their plot.

G-men vs. the Black Dragon

1943
Meet Boston Blackie
6.3

When a murder occurs on an ocean liner docked in New York, the trail leads to Coney Island and a spy ring.

Meet Boston Blackie

1941