Anwar Hossain

Four young men from different districts of Bangladesh encounter various challenges as they try to live an independent life in the city, Dhaka.

A political satire of Bangladesh under the rule of Pakistan metaphorically, where an autocratic woman in one family symbolizes the political dictatorship of Ayub Khan in East Pakistan.

No description available.

It's a 1987 Bangladeshi film about love, Sadness and so on

A Delhi girl comes to her aunt's house, where she hears the reality of Bangladesh's independent story.

The wife of a judge was promised to her dying father to never tell a lie. She lost her father & sister at her own fault and took her sister's son as his own & cared much than his own son. In a murder case, her sister's son & daughter were the laywers & she witnessed that her own son killed his brother-in-law and his husband (the judge) declared son's execution.

A hospital, a few families and a few people fighting for survival. The fight becomes more difficult when some extremists plan a devastating attack. Amidst the rubble one stands up, building a fortress of resistance. But will he be the hero of war? Or will be lost in this destruction?

An unprecedented terrorist attack takes place in a peaceful café in the center of Dhaka, capital of Bangladesh, on a nice Saturday afternoon. The terrorists use religion to divide and to kill people, while the surviving hostages, all of them also Muslims, try to defend their own humanistic values. The film unravels the clashes and contradictions of religion, ideology, and civilizations through a terror drama shot in a single take.

Alam (Anowar Hussain), a young man from a rural background, is forced to leave his family just after the marriage when his wife Luchi (Rosy Samad) feels uncomfortable at his poor home. This makes his father go for earning even at the old age, his lame brother is forced to sell newspapers on the streets, and eventually his younger sister (Sujata) is forced to marry a mentally-challenged person, sacrificing her true love for Kabir (Abdur Razzak), who is again Alam's brother-in-law, to cover up the loan once taken by his father from a village landlord.

Worried to see his daughter Rita in low spirits, Mr. Chowdhury decides to take her to Dhaka. There, he hires Raju, a responsible young man, whom Rita falls in love with. Satya Mithya won five Bangladesh National Film Awards in the Best Producer, Best Screenplay, Best Dialogue, Best Editing and Best Child Artist categories.

Afzal Chowdhury (Abul Hayat) has two stepbrothers: Ashraf Chowdhury (Wasimul Bari Rajib) and Akram Chowdhury (Nasir Khan). They killed Afzal for the greed of his properties and put the blame on his pregnant wife Nazma (Dolly Johur). After serving her sentence she rejoins with her son Moshal (Shakib Khan). On the other hand, Ashraf's daughter Jyoti (Irin Zaman) is also grown-up, now. One day, Moshal saves Jyoti from some goons. And they deeply fell in love. But what will happen when they learn about their family rivalry?

A rich girl falls in love with a lower class, but merit student. In absence of his brother, the boy sometimes works a taxi driver & once he saved the girl.

Sundori is a young woman from a poor family in a village governed by a ruthless zamindar.

The film is based on the timeline from 1966 to 1970 when Bengalis began fighting for independence. “Rupali Shaikate” is a rest house near the beaches of Cox Bazar.

Alor Michil is a 1974 Bangladeshi patriotic film which focuses on the independence movement of 1971. Written and directed by Narayan Ghosh Mita, it stars Abdur Razzak, Babita, Faruk and Anwar Hussain in lead roles. It has been selected for preservation by the Bangladesh Film Archive

Sohail Chowdhury, a rich psychopathic womaniser, gets married to Asha, a beautiful but naive village belle, after coercing her father to agree to the alliance and tortures her in the name of love. Asha changes her name to Diana and goes to Bangkok after getting married to Raja. Will Sohail kill himself?

Not found.

A love story between Rahim, Rupban and Tajel. Rupban gets married to a 12 days old Rahim when she is 12 years. Once he grows up, he is unable to consider Rupban as his wife and falls in love with Tajel

No description available.

A brilliant film made by Amjad Hossain on the oppressed have-nots of rural Bangladesh, Golapi Akhon Train-e, enjoyed a phenomenal success. The movie showcasing talented actors Rowshan Jamil, Bobita, and Anowara also brought to attention the issue of inequitable treatment of women.