
Miguel Contreras Torres
Directing
Biography
Mexican director.
Known For

In early 1860's Mexico, Nicolás (Contreras Torres) wants to marry Manuela (Chavarri) but she runs off with bandit El Zarco (Cantalauba) She soon becomes disillusioned by her lover's cruelty and the brutality of bandit life. In the meantime, Nicolas has turned his romantic attentions to Pilar, Manuela's adopted sister. At the climax. El Zarco is captured and shot, Nicolas marries Pilar, and Manuela dies.
El zarco

No description available.
Los dorados

The story of Mary Magdalene from being a sinner to follow Jesus Christ.
Mary Magdalene, Sinner of Magdala

Biopic of the revolutionary SimĂłn BolĂvar who fought to end Spanish rule over much of Latin America.
SimĂłn BolĂvar

Film based on the homonymous cuplé (song) with lyrics composed by Castellvà and Oliveros and music composed by José Padilla.
El relicario

Antonio Guerra is an unemployed Spanish immigrant in the USA. His brother and mother in Spain haven't heard about him for many years or even receive a letter. But one day, his brother receives a letter from him, telling that things are going well. But the reality is other. Antonio is passing a hard time in New Yor City, suffering the Years of Depression as many out of workers. One day, Antonio meets a nice Cuban seller, who invites him to eat at his poor house. The seller advices Antonio to visit a man, who has contacts and could help him to find a job. Nevertheless, Antonio is send with the leader of a group of gangsters, dedicated to the illegal traffic of alcohol. Antonio is offered a work of dealer, but he won't do anything out of the law.
No matarás

No description available.
Aguiluchos mexicanos

Mexican western film about Joaquin Murrieta, the Robin Hood of the West.
The Last Rebel

No te engañes corazĂłn (released in English as Don't Fool Yourself Dear) is the first full-feature film of Cantinflas after becoming a star of the carpa circuit (folk theater). It was also one of the earliest films of Sara GarcĂa and Carlos Orellana and the first where they share the screen. Don Boni (Orellana) is diagnosed with a deadly disease and decides to spend his last days doing good deeds. He leaves his wife and decides to help people. He then gets drunk and wakes up with a winning lottery ticket and realizes that the doctor who diagnosed him has been sent to prison for fraud.
No te engañes corazón

During the times of Venezuelan dictator Juan Vicente GĂłmez, an exhausted stranger arrives at a farm and starts to help the owner with the legal status of her land.
Love for Life
Appointed by the dictator Huerta, a local official tries to use his authority to pressure a young woman into marrying him. Meanwhile, counter-revolution is brewing.
Pueblo en armas

The Mad Empress is a 1939 American historical drama film depicting the 3-year reign of Maximilian I of Mexico and his struggles against Benito Juarez.
The Mad Empress

Drama film directed and written by Miguel Contreras Torres.
Under the Sky of Spain

Standard retelling of the the Gospels, with a brief epilogue about the death of Mary.
Reina de reinas: La Virgen MarĂa

No description available.
Bamba

Two romantic rivals join the Mexican Revolution on opposing sides. The movie's more interested in the love triangle than in the war.
Pancho Villa vuelve

No description available.
¡Viva México!

It's 1913, and noble Mexican General Pancho Villa leads his troops against the assassins of President Madero.
Pancho Villa Returns

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.
The Black Legend of Mexican Cinema

A 1933 film.