Costume & Make-Up
A joinery instructor at a rehab center refuses to take a new teen as his apprentice, but then begins to follow the boy through the hallways and streets.
"In this film you will see a woman's handkerchief tied around a man's wrist, a well-shaven pig's head, some adolescents who are more inventive than their elders in struggling against oppression... You will not, however, hear any dialog. Words do not prepare, do not accompany, do not comment upon the action. This is not a silent film, but a film in which the only moment of life retained for the cinematographic spectacle are those where people do not speak. The spectator will find, perhaps, a greater freedom of interpretation in it and, we hope, a particular pleasure in this." (Alain Cavalier)
Willy, a middle-aged divorcee, decides to take his 15 year-old son, Thomas, on holiday to Ibiza, staying at an isolated villa on the unspoilt part of the coast. Thomas insists on bringing his friend Juliette, a girl of his own age with whom he enjoys a close platonic relationship. When it comes to physical love, Juliette is wise beyond her years. She will only sleep with men older than herself and has no intention of committing herself to a long-term relationship.
A poor young Belgian mother wants her petty thief of a boyfriend to be gainfully employed to raise their newborn child, but he has other ideas.
Young, impulsive Rosetta lives a hard and stressful life as she struggles to support herself and her alcoholic mother. Refusing all charity, she is desperate to maintain a dignified job.
Igor, aged 15, and his father Roger deal in housing and peddling illicit labor in the outlying districts of Liege, Belgium. Scams, lies and swindling rule their lives. When one of his father’s illegal workers gets injured on the job and asks Igor to promise to take care of his wife and baby, Igor finds himself at a crossroad. He wants to keep the promise, but the price would be to betray his father.
A bio-doc about Micheline Presle changes into a thrilling investigation of the long hidden truth about European cinema. This mockumentary thriller uncovers Hollywood's unsuspected plot against the European motion picture industry. Numerous directors and stars appear in the film, making it a choice morsel for all film lovers.
Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.
An old man in dressing gown and slippers is abandoned by his family on an area of highway while on vacation. He later finds himself in a hospital where a nurse, Gégène, calls him Mischka.
Two elderly ladies, Marie and Aminthe, both single and without children, live together in the house of their grandfather. Aminthe lives in the memory of Fabien, her husband to-be, who died in Indo-China more than fifty years ago. Marie, the elder one, likes to remind the happy time of their childhood - before they lost their parents prematurely. As kids, each have their own character flaws but seem to have a pure and simple childhood. Now, they live their pensions - small -, vegetables of the kitchen garden that Marie sells at the market and of the piano courses which Aminthe gives... Not enough to maintain their old residence, badly heated and of which the roof is to be remade... But when Aminthe affirms that it is necessary to sell and buy an apartment, Marie refuses categorically. Soon we learn what secrets these girls have kept all their lives.
The new Saint Denis-Bobigny streetcar picks up and drops off commuters in an all-too-brief transit of their lives. Among the regular riders is a woman who is both spectator and guide – she introduces, comments on, ponders and catalyzes the sometimes vain, sometimes serious preoccupations of her fellow travelers, who, for the moment, are rushing headlong toward their destiny. The commuters and their observer have double lives. Once they step off this streetcar, the real-life dramas begin. Each has his or her style of living or dying…
Belgium, 1980. On the banks of the Meuse river, against the background of a steel-producing city, factories close down one after another and lay off workers. One of those made redundant is Fabrice, who, at thirty-five, is proud of his trade, and now feels he has become useless. His wife, CĂ©line, tries to renew his interest in life, but Fabrice remains trapped in his depression, and then one day he disappears...
A television director decides to use his own life and marriage as an inspiration for his latest project.
In a provincial town, a band practices in an apartment on the same floor as Jean-Pierre, who works night shifts every three weeks. Thierry, the band’s singer, quits his job due to morning fatigue and turns to drugs, while Jean-Pierre contemplates leaving his factory job and the city, questioning the point of moving to another factory.
Imagine a slightly dilapidated three star hotel in the tenth arrondissement run by a very distinguished lady with moral fibre and panache, Mrs. Coppercage. Alongside tourists visiting Paris, Mrs. Coppercage rents three rooms to three women at a monthly rate. Each woman is marked by life, yet they go on as best they can, never closing their eyes to the world around them, or to the men who impatiently await them. Faubourg Saint Martin opens as a love story and ends like a song as shots ring out and punctuate the chorus.
An old woman who is unaware that she is near death, falls in love with her son’s young American tutor.
Traveling in North Benin, CĂ©cile crosses the path of a young African mother deposited him, distraught, a baby in arms ... Cecile will adopt this child will grow African and Lancelot in France. The year of its seven years, she left with him to the country of its origin and attempts to pierce the secrecy surrounding its abandonment.
Two friends are taken hostage while on their way to see a childhood buddy.
